Ludwig van Beethoven, Wolfgang Glashof, Hungarian Radio Chorus, Nicolaus Esterhazy Sinfonia, Michael Halasz, Alan Titus, Gösta Winbergh, Inga Nielsen, Kurt Moll, Edith Lienbacher, Herwig Pecoraro, Péter Pálinkás, József Moldvay made "Fidelio, Op. 72, Act I: Quartet: Mir ist so wunderbar (Marzelline, Leonore, Rocco, Jaquino)" available on September 13, 1999. With this song being about 5 minutes long, at 4:43, "Fidelio, Op. 72, Act I: Quartet: Mir ist so wunderbar (Marzelline, Leonore, Rocco, Jaquino)" by Ludwig van Beethoven, Wolfgang Glashof, Hungarian Radio Chorus, Nicolaus Esterhazy Sinfonia, Michael Halasz, Alan Titus, Gösta Winbergh, Inga Nielsen, Kurt Moll, Edith Lienbacher, Herwig Pecoraro, Péter Pálinkás, József Moldvay is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 30 in Beethoven: Fidelio by Ludwig van Beethoven, Hungarian Radio Chorus, Nicolaus Esterhazy Sinfonia, Michael Halasz. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Fidelio, Op. 72, Act I: Quartet: Mir ist so wunderbar (Marzelline, Leonore, Rocco, Jaquino)'s popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Fidelio, Op. 72, Act I: Quartet: Mir ist so wunderbar (Marzelline, Leonore, Rocco, Jaquino) by Ludwig van Beethoven, Wolfgang Glashof, Hungarian Radio Chorus, Nicolaus Esterhazy Sinfonia, Michael Halasz, Alan Titus, Gösta Winbergh, Inga Nielsen, Kurt Moll, Edith Lienbacher, Herwig Pecoraro, Péter Pálinkás, József Moldvay is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fidelio, Op. 72 / Act I: "Mir ist so wunderbar" | Ludwig van Beethoven, Gundula Janowitz, Lucia Popp, Adolf Dallapozza, Manfred Jungwirth, Wiener Philharmoniker, Leonard Bernstein | G Major | 1 | 9B | 83 BPM | ||
Der Freischütz, J. 277 / Act III: "Wer legt auf ihn so strengen Bann?" | Carl Maria von Weber, Gundula Janowitz, Edith Mathis, Peter Schreier, Bernd Weikl, Franz Crass, Siegfried Vogel, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Carlos Kleiber | E♭ Major | 2 | 5B | 70 BPM | ||
Strauss, R: 5 Lieder, Op. 48: IV. Winterweihe | Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony Orchestra | B♭ Major | 1 | 6B | 72 BPM | ||
Symphony No. 2 in C minor - "Resurrection": 4. "O Röschen rot! Der Mensch liegt in grösster Not!" (Sehr feierlich aber schlicht) Text from Des Knaben Wunderhorn: "Urlicht" | Gustav Mahler, Mira Zakai, Chicago Symphony Orchestra, Sir Georg Solti | F♯ Minor | 0 | 11A | 73 BPM | ||
Stabat Mater: 10. Amen | Gioachino Rossini, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus, Heinz Mende, Roberto Benaglio | G Minor | 3 | 6A | 131 BPM | ||
Samson et Dalila / Act 1: "Dieu! Dieu d'Israël!" | Camille Saint-Saëns, Orchestre de Paris, Daniel Barenboim, Choeur de l'Orchestre de Paris, Arthur Oldham | B Major | 3 | 1B | 94 BPM | ||
Messa da Requiem: 2. Lacrymosa | Giuseppe Verdi, Anna Tomowa-Sintow, Agnes Baltsa, José Carreras, José van Dam, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus, Chorus of the Sofia National Opera, Walter Hagen-Groll | F♯ Major | 2 | 2B | 89 BPM | ||
Winterreise, Op. 89, D. 911: No. 7. Auf dem Flusse | Franz Schubert, Kurt Moll, Cord Garben | A Major | 1 | 11B | 128 BPM | ||
Offenbach: Robinson Crusoë, Act 2: "Conduisez-moi vers celui que j'adore" (Edwige) | Jacques Offenbach, Natalie Dessay, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 2 | 11B | 100 BPM | ||
Der Freischütz, J. 277 / Act 3: "Schaut, o schaut! Er traf die eigne Braut!" | Carl Maria von Weber, Gundula Janowitz, Edith Mathis, Peter Schreier, Bernd Weikl, Siegfried Vogel, Theo Adam, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Carlos Kleiber | C Major | 2 | 8B | 174 BPM |
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