"Rigoletto / Act 3: "La donna è mobile"" by Giuseppe Verdi, Neil Shicoff, Renato Bruson, Robert Lloyd, Orchestra dell'Accademia Nazionale di Santa Cecilia, Giuseppe Sinopoli was released on January 1, 1985. The duration of Rigoletto / Act 3: "La donna è mobile" is about 3 minutes long, at 3:04. Based on our data, "Rigoletto / Act 3: "La donna è mobile"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Verdi: Rigoletto - highlights by Giuseppe Verdi, Neil Shicoff, Renato Bruson, Edita Gruberova, Brigitte Fassbaender, William Matteuzzi, Geoffrey Moses, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Giuseppe Sinopoli. The song's track number on the album is #13 out of 15 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. In terms of popularity, Rigoletto / Act 3: "La donna è mobile" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Rigoletto / Act 3: "La donna è mobile" by Giuseppe Verdi, Neil Shicoff, Renato Bruson, Robert Lloyd, Orchestra dell'Accademia Nazionale di Santa Cecilia, Giuseppe Sinopoli has a tempo of 115 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Rigoletto / Act 3: "La donna è mobile" being at 115 BPM, the half-time would be 58 BPM with a double-time of 230 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salome, Op. 54 / Scene 3: "Niemals, Tochter Babylons,Tochter Sodoms,...Niemals "N | Richard Strauss, Cheryl Studer, Clemens Bieber, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | C Minor | 1 | 5A | 83 BPM | ||
Manon Lescaut / Act 1: "Donna non vidi mai" | Giacomo Puccini, Plácido Domingo, Philharmonia Orchestra, Giuseppe Sinopoli | B♭ Major | 2 | 6B | 91 BPM | ||
Les Contes d'Hoffmann / Act 2: "Les oiseaux dans la charmille" | Jacques Offenbach, Edita Gruberova, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | A♭ Major | 1 | 4B | 178 BPM | ||
Stabat mater, op.58: 10. Quartetto e Coro "Quando corpus morietur" | Antonín Dvořák, Mariana Zvetkova, Ruxandra Donose, Johan Botha, Roberto Scandiuzzi, Chor der Sächsischen Staatsoper Dresden; see Dresden State Opera Chorus, Matthias Brauer, Staatskapelle Dresden, Giuseppe Sinopoli | D Major | 3 | 10B | 134 BPM | ||
Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Mischa Maisky, Philharmonia Orchestra, Giuseppe Sinopoli | C Major | 3 | 8B | 113 BPM | ||
Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
Bizet: Carmen, WD 31, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Lorin Maazel, Orchestre National De France | D Major | 0 | 10B | 98 BPM | ||
Aida (1997 Digital Remaster): Celeste Aida | Giuseppe Verdi, Richard Tucker, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | B♭ Major | 2 | 6B | 81 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 10. Intermezzo: Dorabella (Allegretto) | Edward Elgar, Philharmonia Orchestra, Giuseppe Sinopoli | G Major | 0 | 9B | 87 BPM | ||
Simon Boccanegra / Prologue: "A te l'estremo addio" - "Il lacerato spirito" | Giuseppe Verdi, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | D Major | 1 | 10B | 93 BPM |
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