Richard Strauss, Cheryl Studer, Clemens Bieber, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli made "Salome, Op. 54 / Scene 3: "Niemals, Tochter Babylons,Tochter Sodoms,...Niemals "N" available on January 1, 1991. With Salome, Op. 54 / Scene 3: "Niemals, Tochter Babylons,Tochter Sodoms,...Niemals "N being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 32 in the song's album "Richard Strauss: Salome". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Germany. Salome, Op. 54 / Scene 3: "Niemals, Tochter Babylons,Tochter Sodoms,...Niemals "N is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Salome, Op. 54 / Scene 3: "Niemals, Tochter Babylons,Tochter Sodoms,...Niemals "N by Richard Strauss, Cheryl Studer, Clemens Bieber, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La traviata / Act 2: "Imponete" "Non amarlo ditegli" | Giuseppe Verdi, Cheryl Studer, Juan Pons, Metropolitan Opera Orchestra, James Levine | B♭ Major | 1 | 6B | 77 BPM | ||
Le nozze di Figaro, K.492 / Act 2: "Aprite, presto, aprite" | Wolfgang Amadeus Mozart, Edith Mathis, Tatiana Troyanos, Orchester der Deutschen Oper Berlin, Karl Böhm | C Minor | 1 | 5A | 65 BPM | ||
Humperdinck : Hänsel und Gretel : Act 1 "Eine Hex', steinalt" [Father, Stepmother] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | C Major | 1 | 8B | 83 BPM | ||
Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 1: "Who are you adandoning us to" | Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker, Slovak Philharmonic Chorus Bratislava, Rundfunkchor Berlin, Tölzer Knabenchor, Wojciech Drabowicz, Mikhail Krutikov | B Major | 2 | 1B | 85 BPM | ||
Nabucco / Act 1: Io t'amava! | Giuseppe Verdi, Ghena Dimitrova, Plácido Domingo, Lucia Valentini Terrani, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | G Major | 2 | 9B | 87 BPM | ||
La forza del destino / Act 1: Buona notte, mia figlia | Giuseppe Verdi, John Tomlinson, Rosalind Plowright, Philharmonia Orchestra, Giuseppe Sinopoli | E Minor | 0 | 9A | 78 BPM | ||
Elektra: Vi. Was heulst du? | Richard Strauss, Hugo von Hofmannsthal, Anita Soldh, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler | E Major | 4 | 12B | 89 BPM | ||
Lohengrin, WWV 75 / Act I: "Durch Gottes Sieg ist jetzt dein Leben mein" | Richard Wagner, Siegfried Jerusalem, Kurt Moll, Cheryl Studer, Waltraud Meier, Hartmut Welker, Vienna State Opera Chorus, Peter Burian, Wiener Philharmoniker, Claudio Abbado | B♭ Major | 6 | 6B | 92 BPM | ||
Rigoletto / Act 2: "Schiudete! ire al carcere" - "Poiché fosti invano da me maledetto" (Usciere / Monterone, Rigoletto) | Giuseppe Verdi, Ildebrando D'Arcangelo, Vladimir Chernov, Metropolitan Opera Orchestra, James Levine | A♭ Major | 4 | 4B | 180 BPM | ||
The Dream of Gerontius, Op. 38, Pt.2: Jesu! by that shuddering dread | Sir Edward Elgar, Bryn Terfel, Paul Groves, Sir Mark Elder, Hallé | E♭ Major | 0 | 5B | 134 BPM |
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