"Rigoletto / Act 2: "Schiudete! ire al carcere" - "Poiché fosti invano da me maledetto" (Usciere / Monterone, Rigoletto)" by Giuseppe Verdi, Ildebrando D'Arcangelo, Vladimir Chernov, Metropolitan Opera Orchestra, James Levine was released on January 1, 1998. With Rigoletto / Act 2: "Schiudete! ire al carcere" - "Poiché fosti invano da me maledetto" (Usciere / Monterone, Rigoletto) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Verdi: Rigoletto by Giuseppe Verdi, Metropolitan Opera Orchestra, James Levine. The song's track number on the album is #11 out of 40 tracks. The popularity of Rigoletto / Act 2: "Schiudete! ire al carcere" - "Poiché fosti invano da me maledetto" (Usciere / Monterone, Rigoletto) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Rigoletto / Act 2: "Schiudete! ire al carcere" - "Poiché fosti invano da me maledetto" (Usciere / Monterone, Rigoletto) by Giuseppe Verdi, Ildebrando D'Arcangelo, Vladimir Chernov, Metropolitan Opera Orchestra, James Levine has a tempo of 180 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With Rigoletto / Act 2: "Schiudete! ire al carcere" - "Poiché fosti invano da me maledetto" (Usciere / Monterone, Rigoletto) being at 180 BPM, the half-time would be 90 BPM with a double-time of 360 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Trovatore / Act 1: "Tacea la notte" - "Quanto narrasti di turbamento" | Giuseppe Verdi, Joan Sutherland, Norma Burrowes, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 1 | 4B | 165 BPM | ||
Lucia di Lammermoor / Act 3: "Ohimè! sorge il tremendo fantasma" | Gaetano Donizetti, Dame Joan Sutherland, Pier Francesco Poli, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 3 | 4A | 133 BPM | ||
Macbeth / Act II: Si colmi il calice | Giuseppe Verdi, Shirley Verrett, Stefania Malagu, Piero Cappuccilli, Alfredo Mariotti, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | F Major | 2 | 7B | 86 BPM | ||
Madama Butterfly (1986 - Remaster), Act I: L'Imperial Commissario (Goro/Pinkerton/Coro/Butterfly/Cugina/La Madre/Yakuside/Zia/Sharpless) | Giacomo Puccini, Renata Scotto, Carlo Bergonzi, Rolando Panerai, Piero de Palma, Coro del Teatro dell' Opera di Roma, Orchestra Del Teatro Dell'Opera Di Roma, Sir John Barbirolli | B♭ Major | 3 | 6B | 110 BPM | ||
La Bohème / Act 2: "Chi guardi?" - "Ecco i giocattoli di Parpignol" | Giacomo Puccini, Luciano Pavarotti, Nicolai Ghiaurov, Mirella Freni, Gianni Maffeo, Gernot Pietsch, Schöneberger Sängerknaben, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | D Major | 3 | 10B | 172 BPM | ||
Carmen, Act III: No.21 Morceau d'ensemble : Quant au douanier (Carmen/Frasquita/Mercédès/Le Dancaïro/Le Remendado/Le Bohémiens et Bohémiennes) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | F♯ Major | 2 | 2B | 123 BPM | ||
Addio del passato | Francesco Maria Piave, Giuseppe Verdi, Maria Hanke, Tonya Lemoh | B♭ Major | 1 | 6B | 160 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): Ma signor...ma un dottor ... (Tutti) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | C Major | 5 | 8B | 118 BPM | ||
Carmina Burana / 2. In Taberna: "Ego sum abbas" | Carl Orff, Bernd Weikl, Chicago Symphony Orchestra, James Levine, Chicago Symphony Chorus | D Minor | 2 | 7A | 135 BPM | ||
Meyerbeer: Les Huguenots: Et maintenant je dois offrir - Act Two | Giacomo Meyerbeer, Rita Shane, Nicolai Gedda, Jeanette Scovotti, Radio Austria Chorus, Dimiter Petkov, Pedro Farres, Justino Diaz, Enriqueta Tarres | D♭ Major | 6 | 3B | 97 BPM |
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