Giuseppe Verdi, Shirley Verrett, Stefania Malagu, Piero Cappuccilli, Alfredo Mariotti, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi's 'Macbeth / Act II: Si colmi il calice' came out on January 1, 1976. Macbeth / Act II: Si colmi il calice is about six minutes long, preciously at 6:26, making this song fairly long compared to other songs. This song is part of Verdi: Macbeth by Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado. The song's track number on the album is #14 out of 31 tracks. Based on our data, Germany was the country where this track was produced or recorded. Macbeth / Act II: Si colmi il calice is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Macbeth / Act II: Si colmi il calice by Giuseppe Verdi, Shirley Verrett, Stefania Malagu, Piero Cappuccilli, Alfredo Mariotti, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Macbeth / Act II: Si colmi il calice being at 86 BPM, the half-time would be 43 BPM with a double-time of 172 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: "Gli aranci olezzano sui verdi margini" | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | A Major | 1 | 11B | 69 BPM | ||
L'Africaine / Act 4: "Pays Merveilleux ... O Paradis" | Giacomo Meyerbeer, Plácido Domingo, Los Angeles Philharmonic, Carlo Maria Giulini | F♯ Major | 2 | 2B | 66 BPM | ||
Cavalleria rusticana: "Il cavallo scalpita" | Pietro Mascagni, Piero Cappuccilli, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | F♯ Major | 3 | 2B | 128 BPM | ||
La Cenerentola / Act 2: "Sia qualunque delle figlie" | Gioachino Rossini, Paolo Montarsolo, London Symphony Orchestra, Claudio Abbado | A Major | 4 | 11B | 113 BPM | ||
Mascagni: Cavalleria rusticana: "O Lola ch'hai di latti la cammisa" (Turiddu) | Pietro Mascagni, Tullio Serafin, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano | A♭ Major | 3 | 4B | 82 BPM | ||
Verdi: La traviata, Act 1: "Che e cio?" (Chorus, Violetta, Alfredo) | Giuseppe Verdi, Coro Cetra, Francesco Albanese, Gabriele Santini, Orchestra Sinfonica Di Torino Della Rai | E♭ Major | 1 | 5B | 72 BPM | ||
Cherubini: Medea, Act 1: "No, non temer" (Creonte, Glauce, Giasone) | Luigi Cherubini, Giuseppe Modesti, Renata Scotto, Mirto Picchi, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Giuseppe Modesti, Mirto Picchi, Orchestra Del Teatro Alla Scala, Milano, Renata Scotto, Tullio Serafin | G Major | 1 | 9B | 87 BPM | ||
Il barbiere di Siviglia / Act 1: Fredda ed immobile | Gioachino Rossini, Teresa Berganza, Fernando Corena, Nicolai Ghiaurov, Stefania Malagu, Ugo Benelli, Manuel Ausensi, Coro del Teatro di San Carlo di Napoli, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | A♭ Major | 2 | 4B | 83 BPM | ||
Pagliacci / Prologue: Prelude | Ruggero Leoncavallo, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre | G Major | 0 | 9B | 142 BPM | ||
Cavalleria rusticana: "O lola ch'ai di latti la cammisa" (Siciliana) | Pietro Mascagni, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | F Minor | 0 | 4A | 167 BPM |
Section: 0.7471082210540771
End: 0.7514200210571289