Giuseppe Verdi, Kim Borg, RIAS-Symphonie-Orchester, Ferenc Fricsay, RIAS Kammerchor, Chor der St. Hedwigs-Kathedrale Berlin's 'Messa da Requiem: II. Tuba mirum' came out on January 1, 1954. The duration of Messa da Requiem: II. Tuba mirum is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Messa da Requiem: II. Tuba mirum's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: Messa da Requiem by Giuseppe Verdi, Maria Stader, Marianna Radev, Helmut Krebs, Kim Borg, RIAS-Symphonie-Orchester, Ferenc Fricsay, RIAS Kammerchor, Chor der St. Hedwigs-Kathedrale Berlin. The song's track number on the album is #3 out of 15 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Messa da Requiem: II. Tuba mirum's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Messa da Requiem: II. Tuba mirum by Giuseppe Verdi, Kim Borg, RIAS-Symphonie-Orchester, Ferenc Fricsay, RIAS Kammerchor, Chor der St. Hedwigs-Kathedrale Berlin has a tempo of 139 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Messa da Requiem: II. Tuba mirum being at 139 BPM, the half-time would be 70 BPM with a double-time of 278 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tosca: Act III: O dolci mani mansuete e pure (Cavaradossi) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | F Major | 0 | 7B | 86 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | C Major | 2 | 8B | 90 BPM | ||
Il Barbiere di Siviglia: Ecco, ridente in cielo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 1 | 8B | 126 BPM | ||
La Traviata, Teil 3 | La Traviata | B♭ Major | 0 | 6B | 0 BPM | ||
Giordano: Fedora, Act 2: "Amor ti vieta di non amar" (Loris) | Umberto Giordano, Plácido Domingo, Nello Santi, Orchestra of the Deutsche Oper Berlin | F Major | 1 | 7B | 115 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Aida: Act I: Scene 2: Possente, possente Fthà | Giuseppe Verdi, Plácido Domingo, Metropolitan Opera Orchestra, Samuel Ramey, Aprile Millo, James Levine, Dolora Zajick, James Morris | D Major | 0 | 10B | 92 BPM | ||
Libiamo Ne' Lieti Calici (Brindisi) - la Traviata Atto I | Renata Tebaldi | C Major | 1 | 8B | 100 BPM | ||
Mozart: Don Giovanni: La ci darem la mano | Nicolai Ghiaurov, Mirella Freni | B♭ Major | 2 | 6B | 91 BPM | ||
Il barbiere di Siviglia / Act 1: "Largo al factotum" | Gioachino Rossini, Hermann Prey, London Symphony Orchestra, Claudio Abbado | C Major | 3 | 8B | 142 BPM |
Section: 0.685354471206665
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