"Ave Maria" by Igor Stravinsky, Gregg Smith Singers, Robert Craft was released on October 31, 2006. With Ave Maria being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Stravinsky: Mass - Cantata - Symphony of Psalms". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Ave Maria is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ave Maria by Igor Stravinsky, Gregg Smith Singers, Robert Craft having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petite messe solennelle: Petite messe solennelle: Sanctus | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | C Major | 1 | 8B | 81 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 5. R.P.A. (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Minor | 0 | 5A | 83 BPM | ||
Threni, Lamentations of Jeremiah: VI. De elegia quinta | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, London Philharmonic Choir, Elizabeth Atherton, Maria Ostroukhova, Sam Furness, Joel Williams, Theodore Platt | G Minor | 0 | 6A | 140 BPM | ||
Lieder eines fahrenden Gesellen: Gieng heut' Morgen über's Feld | Gustav Mahler, Christian Gerhaher, Kent Nagano, Orchestre Symphonique de Montréal | E♭ Major | 0 | 5B | 80 BPM | ||
Requiem: XIII. Sanctus | Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra | F Major | 1 | 7B | 117 BPM | ||
Les Noces, Première partie, Premier tableau: Chez la mariée | Igor Stravinsky, RIAS Kammerchor, Ensemble Musikfabrik, Carolyn Sampson, Susan Parry, Vsevolod Grivnov, Maxim Mikhailov, Daniel Reuss | F Major | 0 | 7B | 181 BPM | ||
3 Lieder für Sopran, Klarinette und Gitarre, Op.18: 3. Ave regina coelorum | Anton Webern, Grace-Lynne Martin, Hugo Raimondi, Jack Marshall, Robert Craft | F♯ Major | 0 | 2B | 169 BPM | ||
Tristia, Op.18: 3. Marche funèbre pour la dernière scène d'Hamlet | Hector Berlioz, Cleveland Orchestra, Pierre Boulez, The Cleveland Orchestra Chorus, Gareth Morrell | A Minor | 1 | 8A | 82 BPM | ||
Magnificat - Voice | Giovanni Gabrieli, E. Power Biggs, Gregg Smith Singers, Vittorio Negri, Gregg Smith, George Bragg | B♭ Major | 1 | 6B | 132 BPM | ||
German Requiem, Op. 45: Denn wir haben hie keine bleibende Statt | Johannes Brahms, London Symphony Orchestra, Valery Gergiev, Christopher Maltman, London Symphony Chorus | E♭ Major | 0 | 5B | 98 BPM |
Section: 1.030829906463623
End: 1.036078929901123