Anton Webern, Grace-Lynne Martin, Hugo Raimondi, Jack Marshall, Robert Craft's '3 Lieder für Sopran, Klarinette und Gitarre, Op.18: 3. Ave regina coelorum' came out on 1957. With 3 Lieder für Sopran, Klarinette und Gitarre, Op.18: 3. Ave regina coelorum being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 109 in the song's album "The Complete Music of Anton Webern - Recorded Under the Direction of Robert Craft (Remastered)". In this album, this song's track order is #44. Furthermore, we believe that the track originated from United States. The popularity of 3 Lieder für Sopran, Klarinette und Gitarre, Op.18: 3. Ave regina coelorum is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 3 Lieder für Sopran, Klarinette und Gitarre, Op.18: 3. Ave regina coelorum by Anton Webern, Grace-Lynne Martin, Hugo Raimondi, Jack Marshall, Robert Craft having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 6 in A Major, Op. 82: III. Tempo di valzer lentissimo | Sergei Prokofiev, Ivo Pogorelich | D♭ Major | 0 | 3B | 66 BPM | ||
Polifón etüd | György Ligeti, Pierre-Laurent Aimard, Irina Kataeva | E Minor | 0 | 9A | 96 BPM | ||
Lutoslawski : Symphony No.3 : I Vivo - Lento | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | C Major | 0 | 8B | 131 BPM | ||
String Quartet No. 1 in C Major, Op. 49: 3. Allegro molto | Dmitri Shostakovich, Borodin Quartet | G Minor | 3 | 6A | 121 BPM | ||
2 Thoughts About the Piano: No. 2. Catenaires | Elliott Carter, Ursula Oppens | F♯ Major | 3 | 2B | 68 BPM | ||
Sinfonietta: 5. Andante con moto - Maestoso - Tempo I - Allegretto - Allegro - Maestoso - Adagio | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik | E♭ Minor | 3 | 2A | 60 BPM | ||
4 Lieder für Sopran und Kammerorchester, Op.13: I. Wiese im Park | Anton Webern, Pierre Boulez | G Major | 0 | 9B | 108 BPM | ||
Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | ||
Dutilleux: Oboe Sonata: II. Scherzo (Vif) | Henri Dutilleux, François Leleux, Emmanuel Strosser | A Major | 2 | 11B | 152 BPM | ||
Ligeti : Romanian Concerto : III Adagio, ma non troppo | György Ligeti, Jonathan Nott, Berliner Philharmoniker | F Major | 0 | 7B | 73 BPM |
Section: 0.6681687831878662
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