Requiem: XIII. Sanctus
Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra
Verdi: Requiem
2:36 August 24, 2009
BPM
117
Key
F Major
Camelot
7B

Embed

Share Link

Requiem: XIII. Sanctus - Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra Information

Acousticness
96%
Danceability
35%
Energy
12%
Instrumentalness
94%
Liveness
7%
Loudness
65%
Speechiness
4%
Valence
35%
Popularity
Loudness
-20.796 dB

Summary

Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra's 'Requiem: XIII. Sanctus' came out on August 24, 2009. The duration of Requiem: XIII. Sanctus is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Requiem: XIII. Sanctus's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: Requiem by Giuseppe Verdi, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis. The song's track number on the album is #13 out of 17 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Requiem: XIII. Sanctus is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Requiem: XIII. Sanctus BPM

Since Requiem: XIII. Sanctus by Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra has a tempo of 117 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Requiem: XIII. Sanctus being at 117 BPM, the half-time would be 58 BPM with a double-time of 234 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.

Requiem: XIII. Sanctus Key

This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo. Vivace by Frédéric Chopin, Martha Argerich, London Symphony Orchestra, Claudio AbbadoPiano Concerto No. 1 in E Minor, Op. 11: III. Rondo. VivaceFrédéric Chopin, Martha Argerich, London Symphony Orchestra, Claudio AbbadoE Major212B123 BPM
Symphony No. 8 in G Minor, Op. 88, B. 163: I. Allegro con brio by Antonín Dvořák, London Symphony Orchestra, Sir Colin DavisSymphony No. 8 in G Minor, Op. 88, B. 163: I. Allegro con brioAntonín Dvořák, London Symphony Orchestra, Sir Colin DavisG Major19B139 BPM
Concerto for Violin and Orchestra no.2 in D minor op.22: 2. Romance. Andante non troppo by Henryk Wieniawski, Gil Shaham, London Symphony Orchestra, Lawrence FosterConcerto for Violin and Orchestra no.2 in D minor op.22: 2. Romance. Andante non troppoHenryk Wieniawski, Gil Shaham, London Symphony Orchestra, Lawrence FosterB♭ Major16B90 BPM
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice by Hector Berlioz, London Symphony Orchestra, Sir Colin DavisSymphonie fantastique, Op. 14, H 48: IV. Marche au suppliceHector Berlioz, London Symphony Orchestra, Sir Colin DavisB♭ Major16B155 BPM
Stabat Mater: 8. Fac ut ardeat by Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie PearsonStabat Mater: 8. Fac ut ardeatGiovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie PearsonG Minor26A110 BPM
Carmina Burana: XVII. Stetit puella by Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard HickoxCarmina Burana: XVII. Stetit puellaCarl Orff, London Symphony Chorus, London Symphony Orchestra, Richard HickoxD Major010B80 BPM
Il Barbiere di Siviglia (1996 Digital Remaster): All'idea di quel metallo (Conte/Figaro) by Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora BarbieriIl Barbiere di Siviglia (1996 Digital Remaster): All'idea di quel metallo (Conte/Figaro)Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora BarbieriG Major39B128 BPM
Carmina Burana: V. Ecce gratium by Carl Orff, London Symphony Chorus, Richard Hickox, London Symphony OrchestraCarmina Burana: V. Ecce gratiumCarl Orff, London Symphony Chorus, Richard Hickox, London Symphony OrchestraF Major17B131 BPM
Symphony No. 7 in D Minor, Op. 70, B. 141: II. Poco adagio by Antonín Dvořák, London Symphony Orchestra, Sir Colin DavisSymphony No. 7 in D Minor, Op. 70, B. 141: II. Poco adagioAntonín Dvořák, London Symphony Orchestra, Sir Colin DavisC Minor15A114 BPM
Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 3, Song with Chorus. Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 3, Song with Chorus. "You Spotted Snakes"Felix Mendelssohn, Lillian Watson/Delia Wallis/Finchley Children's Music Group/London Symphony Orchestra/André Previn, Delia Wallis, Finchley Children's Music Group, Lillian Watson, André Previn, London Symphony OrchestraA Major111B88 BPM
ISRC
GBDGQ0918313
Label
L-M Records/RCA Records

Section: 0.6128718852996826

End: 0.620530366897583