Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra's 'Requiem: XIII. Sanctus' came out on August 24, 2009. The duration of Requiem: XIII. Sanctus is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Requiem: XIII. Sanctus's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: Requiem by Giuseppe Verdi, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis. The song's track number on the album is #13 out of 17 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Requiem: XIII. Sanctus is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Requiem: XIII. Sanctus by Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra has a tempo of 117 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Requiem: XIII. Sanctus being at 117 BPM, the half-time would be 58 BPM with a double-time of 234 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo. Vivace | Frédéric Chopin, Martha Argerich, London Symphony Orchestra, Claudio Abbado | E Major | 2 | 12B | 123 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: I. Allegro con brio | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 139 BPM | ||
Concerto for Violin and Orchestra no.2 in D minor op.22: 2. Romance. Andante non troppo | Henryk Wieniawski, Gil Shaham, London Symphony Orchestra, Lawrence Foster | B♭ Major | 1 | 6B | 90 BPM | ||
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM | ||
Stabat Mater: 8. Fac ut ardeat | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 2 | 6A | 110 BPM | ||
Carmina Burana: XVII. Stetit puella | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | D Major | 0 | 10B | 80 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): All'idea di quel metallo (Conte/Figaro) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | G Major | 3 | 9B | 128 BPM | ||
Carmina Burana: V. Ecce gratium | Carl Orff, London Symphony Chorus, Richard Hickox, London Symphony Orchestra | F Major | 1 | 7B | 131 BPM | ||
Symphony No. 7 in D Minor, Op. 70, B. 141: II. Poco adagio | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 114 BPM | ||
Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 3, Song with Chorus. "You Spotted Snakes" | Felix Mendelssohn, Lillian Watson/Delia Wallis/Finchley Children's Music Group/London Symphony Orchestra/André Previn, Delia Wallis, Finchley Children's Music Group, Lillian Watson, André Previn, London Symphony Orchestra | A Major | 1 | 11B | 88 BPM |
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