"Messa da Requiem: 2. Ingemisco" by Giuseppe Verdi, Vinson Cole, Berliner Philharmoniker, Carlo Maria Giulini was released on January 1, 2008. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Verdi: Messa da Requiem by Giuseppe Verdi, Sharon Sweet, Florence Quivar, Vinson Cole, Simon Estes, Berliner Philharmoniker, Carlo Maria Giulini. The song's track number on the album is #8 out of 15 tracks. Based on our data, Germany was the country where this track was produced or recorded. Messa da Requiem: 2. Ingemisco is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Messa da Requiem: 2. Ingemisco by Giuseppe Verdi, Vinson Cole, Berliner Philharmoniker, Carlo Maria Giulini has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Messa da Requiem: 2. Ingemisco being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Contes d'Hoffmann: Les oiseaux dans la charnille | Jacques Offenbach, Olga Peretyatko, Miguel Gomez-Martinez | B♭ Major | 2 | 6B | 96 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | E Major | 3 | 12B | 98 BPM | ||
Io sono docile | Gioachino Rossini, Roberta Peters, Erich Leinsdorf, Metropolitan Opera Orchestra | F Major | 3 | 7B | 83 BPM | ||
La forza del destino, Act II, Scene I: Sta bene | Giuseppe Verdi, Tiziano Tassi, Simona Marcello, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | A Major | 2 | 11B | 77 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Rigoletto: Oper in 3 Akten · Querschnitt und große Szenen in deutscher Sprache (2001 - Remaster), Erster Teil: Querschnitt, Dritter Akt: - O, wie so trügerisch [La donna è mobile] (Herzog) | Francesco Maria Piave, Giuseppe Verdi, Hermann Lüddecke/Männerchor Der Deutschen Oper Berlin/Berliner Symphoniker/Rudolf Schock/Wilhelm Schüchter, Hermann Luddecke, Hermann Lüeddecke, Werner Schmidt-Boelcke, Wilhelm Schuechter, Wilhelm Schüchter, Berliner Symphoniker | B Major | 3 | 1B | 73 BPM | ||
La Traviata, Act I: È strano | Giuseppe Verdi, Lisette Oropesa, René Barbera, Daniel Oren, Dresdner Philharmonie | F Minor | 0 | 4A | 68 BPM | ||
Tannhauser: Overture | Richard Wagner, Slovak Philharmonic, Michael Halasz | B Major | 0 | 1B | 98 BPM | ||
Strauss, Johann II: Die Fledermaus, Act 2: "Mein Herr Marquis" (Adele) | Johann Strauss II, Diana Damrau, David Charles Abell, Karl Huffier, Royal Liverpool Philharmonic Orchestra | G Major | 3 | 9B | 73 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM |
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