"Requiem: VI. Thou Knowest, Lord" by Bob Chilcott, Nash Ensemble, Wells Cathedral Choir, Matthew Owens was released on March 23, 2012. With this song being about 5 minutes long, at 5:03, "Requiem: VI. Thou Knowest, Lord" by Bob Chilcott, Nash Ensemble, Wells Cathedral Choir, Matthew Owens is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 16 in Bob Chilcott: Requiem & Other Choral Works by Bob Chilcott, Wells Cathedral Choir, Matthew Owens. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Requiem: VI. Thou Knowest, Lord is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem: VI. Thou Knowest, Lord by Bob Chilcott, Nash Ensemble, Wells Cathedral Choir, Matthew Owens is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Five Hebrew Love Songs: Rakút (Tenderness) | Eric Whitacre, Eric Whitacre Singers | G Major | 1 | 9B | 92 BPM | ||
Arvo Pärt: Bogoróditse Dévo | Arvo Pärt, Schola Cantorum, Tone Bianca Sparre Dahl | A Major | 1 | 11B | 100 BPM | ||
Choral Dances from 'Gloriana': Concord | Benjamin Britten, RIAS Kammerchor, Justin Doyle | E Minor | 1 | 9A | 95 BPM | ||
Sergei Rachmaninoff: Bogoróditse Dévo | Sergei Rachmaninoff, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 135 BPM | ||
Te Deum, Hob. XXIIIc:2 | Joseph Haydn, Richard Hickox, Collegium Musicum 90, Collegium Musicum 90 Choir | E Major | 1 | 12B | 71 BPM | ||
The Gift I'll Leave You | Kim André Arnesen, Sara Michael, Kantorei, Alicia Rigsby, Joel Rinsema | D♭ Major | 0 | 3B | 71 BPM | ||
Domine non secundum | Vincent Warnier - Ensemble Vocal Jean Sourisse | B Major | 1 | 1B | 83 BPM | ||
Aesop's Fables: No. 4. The North Wind and the Sun | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | E Minor | 1 | 9A | 123 BPM | ||
Seven Poems of Robert Bridges, Op. 17: III. My spirit sang all day | Gerald Finzi, Finzi Singers, Paul Spicer | A Minor | 1 | 8A | 121 BPM | ||
Flowers | Caroline Charrière, Schweizer Jugendchor, Nicolas Fink | A Minor | 1 | 8A | 96 BPM |
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