"Zwielicht" by Walter Baer, See Siang Wong was released on February 24, 2015. Zwielicht is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. There are a total of 62 in the song's album "Swiss Piano Project". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Switzerland. In terms of popularity, Zwielicht is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Zwielicht by Walter Baer, See Siang Wong having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
The music key of this track is D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Passagen I: Sonnenbild | Walter Baer, Andrew Zolinsky | E Major | 0 | 12B | 74 BPM | ||
L’oiseau de Feu. Suite pour piano: III. Finale (Transc. by Guido Agosti) | Igor Stravinsky, Daniil Trifonov | B Major | 1 | 1B | 88 BPM | ||
The Pit | Yutaka Yamada | E♭ Major | 2 | 5B | 61 BPM | ||
Visions fugitives, Op.22: 20. Lento irrealmente | Sergei Prokofiev, Anna Gourari | A Major | 0 | 11B | 136 BPM | ||
24 Preludes for Violin and Piano, Op. 46: No. 15 Adagio sognando | Lera Auerbach, Mari Samuelsen, Julien Quentin | C Minor | 5 | 5A | 122 BPM | ||
Six Little Piano Pieces, Op. 19: Leicht, zart | Arnold Schoenberg, Paul Jacobs | G Major | 0 | 9B | 76 BPM | ||
3 Studies for Piano, Op. 18, Sz. 72: No. 1, Allegro molto | Béla Bartók, Fülöp Ránki | C Major | 1 | 8B | 135 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'Éternité de Jésus | Olivier Messiaen, Robert Plane, Gould Piano Trio | E Major | 0 | 12B | 81 BPM | ||
Schwanengesang, D. 957: No. 13, Der Doppelgänger (Arr. for Cello & Piano by Timothy Jones) | Franz Schubert, Josephine Knight, Simon Crawford-Phillips | E Major | 0 | 12B | 115 BPM | ||
Zwei Klavierstücke: Threnos | Walter Baer, Andrew Zolinsky | E Major | 0 | 12B | 74 BPM |
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