"Violin Concerto No. 2, H. 293: I. Andante" by Bohuslav Martinů, Sebastian Lang-Lessing, Hamburg Symphony Orchestra, Katrin Scholz was released on 2000. Violin Concerto No. 2, H. 293: I. Andante appears to be safe for all ages as it is not explicit. There are a total of 6 in the song's album "Saint-Saëns: Violin Concerto No. 3 / Martinu: Violin Concerto No. 2". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. Based on our statistics, Violin Concerto No. 2, H. 293: I. Andante's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Concerto No. 2, H. 293: I. Andante by Bohuslav Martinů, Sebastian Lang-Lessing, Hamburg Symphony Orchestra, Katrin Scholz having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hary Janos Suite: Háry János Suite: V. Intermezzo | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | D Minor | 1 | 7A | 109 BPM | ||
Martinu: Les Fresques de Piero della Francesca, H. 352: I. Andante poco moderato | Bohuslav Martinů, Royal Philharmonic Orchestra/Rafael Kubelík, Rafael Kubelík, Royal Philharmonic Orchestra | C Major | 3 | 8B | 126 BPM | ||
Violin Sonata No. 2 in G Major, M. 77: III. Perpetuum mobile. Allegro | Maurice Ravel, Alina Ibragimova, Cédric Tiberghien | D Major | 2 | 10B | 163 BPM | ||
3 Pieces in Old Style: No. 3. Menuetto II | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | D Major | 1 | 10B | 119 BPM | ||
Variation 6: Sostenuto (quasi adagietto) | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | D Major | 1 | 10B | 74 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagio | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | A♭ Major | 1 | 4B | 118 BPM | ||
The New Four Seasons - Winter: I. Freezing and Shivering (After Violin Concerto No. 4, Op. 8, RV 297, I. Allegro non molto, Arr. by Wolf Kerschek) | Antonio Vivaldi, Niklas Liepe, WDR Funkhausorchester, Patrick Lange | B♭ Major | 1 | 6B | 80 BPM | ||
On An Overgrown Path (Po zarostlém chodnicku), JW 8/17 - Arr. Rumler for String Orchestra / Book I: 3. Come With Us! | Leoš Janáček, Camerata Zürich, Igor Karsko | D Major | 0 | 10B | 89 BPM | ||
Petrushka, K12 (1947 Version): Ib. Russian Dance | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
IV. Nicht schnell | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | G Major | 0 | 9B | 103 BPM |
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