On July 1, 2016, the song "Les pieces de clavessin, praeludium VI: Vi. Bourée" was released by Johann Caspar Fischer, Tony Millan. With Les pieces de clavessin, praeludium VI: Vi. Bourée being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Johann Caspar Fischer, Tony Millan's "J.C.F. Fischer: Harpsichord Suites" album is number 41 out of 54. On top of that, Netherlands appears to be the country where this track was created. Les pieces de clavessin, praeludium VI: Vi. Bourée is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Les pieces de clavessin, praeludium VI: Vi. Bourée by Johann Caspar Fischer, Tony Millan to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in E Major, P.434: V. Gyque | Johann Pachelbel, Simone Stella | E♭ Major | 2 | 5B | 0 BPM | ||
Scylla et Glaucus, Op. 11: Prologue. Air gracieux pour les Peuples d’Amathonte | Jean-Marie Leclair, d’Albaret, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Minor | 0 | 1A | 133 BPM | ||
Concerto VIII in C Minor: IV. Adagio | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | F Major | 2 | 7B | 109 BPM | ||
Overture (Suite) in G Minor, Op. 1, No. 7: IV. Menuet | Johann Caspar Ferdinand Fischer, L'Orfeo Barockorchester, Michi Gaigg | F♯ Minor | 0 | 11A | 149 BPM | ||
XII sonate a tre o quattro strumenti e basso: Sonata X a 3 | Antonio Bertali, Ars Antiqua Austria, Gunar Letzbor | F♯ Major | 2 | 2B | 88 BPM | ||
Wassermusik Suite, TWV 55:C3 "Hamburger Ebb' und Fluth": I. Overture | Georg Philipp Telemann, Robert King, The King's Consort | B Major | 3 | 1B | 128 BPM | ||
Sonata in D Minor, Kk. 34 (Arr. for Accordion by Philippe Thuriot) | Domenico Scarlatti, Philippe Thuriot | E Major | 1 | 12B | 140 BPM | ||
Trio Sonata in D Minor, Op. 4, No. 1: IV. Allegro | Jean-Marie Leclair, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
Suite a fur Blockflote, Streicher und Generalbass: Passpied 1/2 | Cologne Chamber Orchestra | E Minor | 1 | 9A | 132 BPM | ||
Messe du deuxième ton: Agnus Dei | André Raison, Henri Dumont, Michael Burnette, Stephen Eggert, David Heller, Jonathan Perry, Scott Shaw, H. Joseph Butler, Frederick Hohman | A♭ Major | 2 | 4B | 59 BPM |
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