Domenico Scarlatti, Philippe Thuriot's 'Sonata in D Minor, Kk. 34 (Arr. for Accordion by Philippe Thuriot)' came out on June 7, 2024. The duration of Sonata in D Minor, Kk. 34 (Arr. for Accordion by Philippe Thuriot) is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Sonata in D Minor, Kk. 34 (Arr. for Accordion by Philippe Thuriot)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Scarlatti: Sonatas". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Sonata in D Minor, Kk. 34 (Arr. for Accordion by Philippe Thuriot)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Sonata in D Minor, Kk. 34 (Arr. for Accordion by Philippe Thuriot) by Domenico Scarlatti, Philippe Thuriot having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in D Minor: V. Fugue | Anne Danican Philidor, Héloïse Gaillard, Jeanne Jourquin, Eleanor Lewis | D♭ Minor | 3 | 12A | 115 BPM | ||
6 Variations on "Mein junges Leben hat ein End", SwWV 324: Variation IV. | Jan Pieterszoon Sweelinck, Cédric Tiberghien | D Major | 1 | 10B | 72 BPM | ||
Sonata quarta in B minor, Parte Prima: IV. Vivace | Mrs Philarmonica, Le Consort | B Major | 0 | 1B | 84 BPM | ||
Violin Sonata No. 2 in A Minor: V. Finale | Johann Paul Von Westhoff, Jonas Zschenderlein | E Major | 1 | 12B | 0 BPM | ||
Atys, LWV 53: Act III, Scene 4 Entrée des songes agréables | Jean-Baptiste Lully, Le Concert Tribuot, Laurent Beyhurst | F♯ Major | 3 | 2B | 109 BPM | ||
Keyboard Concerto No. 2 in A Major, BR JCFB C 30a; Warb YC 91 (Arr. Mayer & Spindler for Oboe, Strings and Basso continuo): III. Allegro (Cadenza: Mayer) | Albrecht Mayer, Johann Christoph Friedrich Bach, Berliner Barock Solisten | B♭ Major | 2 | 6B | 129 BPM | ||
Violin Concerto in E Major, RV 269 "La primavera": II. Largo | Antonio Vivaldi, Le Concert de la Loge, Julien Chauvin | F♯ Major | 6 | 2B | 139 BPM | ||
6 Sonates meleese de pieces, Op. 2: V. Sonata in D major "La Chauvet”: VI. Gavotta "La Dedale" | Michel Blavet, Claudio Ferrarini, Accademia Farnese | A♭ Major | 0 | 4B | 119 BPM | ||
Concerto for 2 Oboes and String Orchestra in C Major, Op. 7 No. 5: II. Adagio | Tomaso Albinoni, I Solisti Di Perugia, Claudio Brizi, Thomas Indermühle, Jacques Tys, Rino Vernizzi, Frederico del Sordo | A Minor | 1 | 8A | 106 BPM | ||
Cello Sonata in B-Flat Major, RV 46: III. Largo | Antonio Vivaldi, David Watkin, Robert King | F♯ Minor | 0 | 11A | 78 BPM |
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