Johann Caspar Ferdinand Fischer, L'Orfeo Barockorchester, Michi Gaigg's ' "Overture (Suite) in G Minor, Op. 1, No. 7: IV. Menuet" was released on its scheduled release date, January 1, 2007. With This song being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 15 out of 40 in Fischer: Journal Du Printemps (Le) by Johann Caspar Ferdinand Fischer, L'Orfeo Barockorchester, Michi Gaigg. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Overture (Suite) in G Minor, Op. 1, No. 7: IV. Menuet's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Overture (Suite) in G Minor, Op. 1, No. 7: IV. Menuet by Johann Caspar Ferdinand Fischer, L'Orfeo Barockorchester, Michi Gaigg is Allegro (fast, quick, and bright), since this song has a tempo of 149 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in A Minor, RCT 1: I. Prélude | Jean-Philippe Rameau, Michel Kiener | A♭ Minor | 4 | 1A | 172 BPM | ||
Hamburg Symphony No. 2 in B-Flat Major, Wq. 182: III. Presto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Concerto Pour Basson, Deux Violons, Alto Et Basse Continue En Si Bémol Majeur, GWV 340 340 (Moderato): I. Moderato | Christoph Graupner, Mathieu Lussier, Natalie Michaud, Geneviève Soly, Les idées heureuses | A Major | 0 | 11B | 93 BPM | ||
Violin Sonata in E Minor, Op. 6 No. 9: V. Minuet | Giovanni Mossi, Augusta McKay Lodge, Doug Balliett, Adam Cockerham, Elliot Figg | E♭ Minor | 1 | 2A | 61 BPM | ||
Dixit Dominus, ZWV 66: De torrente - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A Minor | 2 | 8A | 127 BPM | ||
Overture (Suite) in F Major, Op. 1, No. 6: II. Brandlay | Johann Caspar Ferdinand Fischer, L'Orfeo Barockorchester, Michi Gaigg | E Major | 5 | 12B | 106 BPM | ||
Pieces de clavecin: Suite in A Minor - major: VIII. Gavotte | Jean-Philippe Rameau, Gilbert Rowland | D Major | 2 | 10B | 97 BPM | ||
Sonata in A Minor, QV 2:41a/b: IV. Allegro | Johann Joachim Quantz, Ensemble Zefiro, Alfredo Bernardini | F♯ Minor | 3 | 11A | 105 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 3: Ballo - 4. Allegro | Christoph Willibald Gluck, Münchener Bach-Orchester, Karl Richter | B♭ Major | 0 | 6B | 114 BPM | ||
Zweistimmigen Sonaten und Suiten: Sonata in D Major for Violin, Viola da Gamba, and Continuo | Dietrich Becker, Dorian Komanoff Bandy, Hank Knox, Elinor Frey | D♭ Major | 3 | 3B | 180 BPM |