On November 26, 2015, the song "Dixit Dominus, ZWV 66: De torrente - After Psalm 109" was released by Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists. The duration of Dixit Dominus, ZWV 66: De torrente - After Psalm 109 is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Dixit Dominus, ZWV 66: De torrente - After Psalm 109's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists's "Jan Dismas Zelenka: Psalmi Vespertini I" album is number 4 out of 29. On top of that, Czechia appears to be the country where this track was created. Based on our statistics, Dixit Dominus, ZWV 66: De torrente - After Psalm 109's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Dixit Dominus, ZWV 66: De torrente - After Psalm 109 by Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In Exitu Israel, ZWV 84: No. 2 Simulacra gentium | Jan Dismas Zelenka, Katharina Eberl, Ulrich Weller, Jo Holzwarth, Mathis Koch, Kammerchor Stuttgart, Barockorchester Stuttgart, Frieder Bernius | B Minor | 1 | 10A | 170 BPM | ||
Missa Charitatis, ZWV 10: Gloria in excelsis Deo | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora | A♭ Major | 3 | 4B | 101 BPM | ||
Kuhnau: Magnificat in C Major: V. Chorus. "Quia fecit" | Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei | D♭ Major | 2 | 3B | 109 BPM | ||
II. Warum Betrübst Du Dich, Mein Herz? BWV 138, Choral (Coro): Weil Du Mein Gott Und Vater Bist | Holland Boys Choir, Netherlands Bach Collegium, Knut Schoch, Peter Frankenberg, Sytse Buwalda, Johann Sebastian Bach, Marjon Strijk, Frenkel, Bas Ramselaar, Pieter Jan Leusink | B♭ Minor | 2 | 3A | 144 BPM | ||
Sonata for 2 Oboes, Bassoon and Basso Continuo No. 2 in G flat, ZWV 181: 2. Allegro | Jan Dismas Zelenka, Heinz Holliger, Maurice Bourgue, Klaus Thunemann, Klaus Stoll, Jonathan Rubin, Christiane Jaccottet | G Minor | 3 | 6A | 123 BPM | ||
Requeim in C Minor, ZWV. 48 | Jan Dismas Zelenka, Il Fondamento, Ian Honeyman, Peter Kooij, Paul Dombrecht | B Major | 0 | 1B | 75 BPM | ||
Messe h-Moll, BWV 232: XVIII. Credo "Et resurrexit" | Johann Sebastian Bach, Chor der J. S. Bach-Stiftung, Orchester der J. S. Bach-Stiftung, Rudolf Lutz | D♭ Major | 5 | 3B | 113 BPM | ||
Laudate pueri, HWV 237: V. Quis sicut Dominus | George Frideric Handel, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
Gelobet sei der Herr, TWV 1:602/1216: Singt gegeneinander | Georg Philipp Telemann, Kölner Akademie, Michael Alexander Willens | D♭ Major | 2 | 3B | 121 BPM | ||
Missa Quadragesimalis, MH 552: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | B♭ Minor | 1 | 3A | 135 BPM |
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