Jan Dismas Zelenka, Heinz Holliger, Maurice Bourgue, Klaus Thunemann, Klaus Stoll, Jonathan Rubin, Christiane Jaccottet made "Sonata for 2 Oboes, Bassoon and Basso Continuo No. 2 in G flat, ZWV 181: 2. Allegro" available on March 29, 1999. Since Sonata for 2 Oboes, Bassoon and Basso Continuo No. 2 in G flat, ZWV 181: 2. Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Zelenka: Trio Sonatas by Jan Dismas Zelenka, Heinz Holliger, Maurice Bourgue, Thomas Zehetmair, Klaus Thunemann, Klaus Stoll, Jonathan Rubin, Christiane Jaccottet. The song's track number on the album is #6 out of 23 tracks. Based on our statistics, Sonata for 2 Oboes, Bassoon and Basso Continuo No. 2 in G flat, ZWV 181: 2. Allegro's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Sonata for 2 Oboes, Bassoon and Basso Continuo No. 2 in G flat, ZWV 181: 2. Allegro by Jan Dismas Zelenka, Heinz Holliger, Maurice Bourgue, Klaus Thunemann, Klaus Stoll, Jonathan Rubin, Christiane Jaccottet has a tempo of 123 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Sonata for 2 Oboes, Bassoon and Basso Continuo No. 2 in G flat, ZWV 181: 2. Allegro being at 123 BPM, the half-time would be 62 BPM with a double-time of 246 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Dolorosa: IV. Sanctus | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Ballo d'eroi ed eroine negli Elisi | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Ouverture in G Major: I. Ouverture | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Major | 4 | 7B | 123 BPM | ||
Aus der Tiefen rufe ich, Herr, zu dir, BWV 131: Ich harre des Herrn (Chorus) | Johann Sebastian Bach, Maximilian Kiener, Franz Schlecht, Arcis-Vocalisten Munich, L'arpa Festante, Thomas Gropper | F♯ Major | 1 | 2B | 88 BPM | ||
Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. II: No. 21. Recitativ, "Wie sieht dein Haar" (Zion) | Johann Sebastian Bach, Christian Friedrich Henrici, Il Gardellino, Alexander Grychtolik, Miriam Feuersinger | A♭ Minor | 2 | 1A | 96 BPM | ||
6 Sonatas, ZWV 181, No. 3 in B-Flat Major: III. Largo | Jan Dismas Zelenka, Paul Dombrecht, Danny Bond, Chiara Banchini, Richte Van Der Meer, Robert Kohnen | D♭ Minor | 5 | 12A | 132 BPM | ||
Laudate Pueri: VII. Gloria Patri | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford | A Major | 1 | 11B | 85 BPM | ||
Concerto Grosso in F Minor, Op. 1 No. 8: VI. Pastorale. Largo andante | Pietro Locatelli, Isabelle Faust, Il Giardino Armonico, Giovanni Antonini | F Major | 1 | 7B | 66 BPM | ||
Stabat Mater in F Minor, P. 77: IV. Quae moerebat et dolebat | Giovanni Battista Pergolesi, Christopher Lowrey, Les Talens Lyriques, Christophe Rousset | C Minor | 1 | 5A | 58 BPM | ||
Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): III. Adagio | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Minor | 1 | 12A | 110 BPM |
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