Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack's 'Die beliebten Trompeten-Walzer (The Popular Trumpet Waltz), Op. 13' came out on August 18, 2003. Die beliebten Trompeten-Walzer (The Popular Trumpet Waltz), Op. 13 is about six minutes long, preciously at 6:20, making this song fairly long compared to other songs. There are a total of 13 in the song's album "Strauss I, J.: Edition - Vol. 2". In this album, this song's track order is #3. Die beliebten Trompeten-Walzer (The Popular Trumpet Waltz), Op. 13 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Die beliebten Trompeten-Walzer (The Popular Trumpet Waltz), Op. 13 by Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mascagni: Cavalleria rusticana: Intermezzo | Pietro Mascagni, Riccardo Muti, Philharmonia Orchestra | F Major | 1 | 7B | 85 BPM | ||
String Quartet in F Major, Op. 3, No. 5, Hob.III:17, "Serenade" (attrib. to Hoffstetter): II. Andante cantabile (arr. L. Stokowski for orchestra) | Franz Joseph Haydn, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 1 | 8B | 109 BPM | ||
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": II. Largo | Antonín Dvořák, Mariss Jansons, Oslo Philharmonic Orchestra | D♭ Major | 0 | 3B | 73 BPM | ||
Summer (L'Estate) Op.8 No.2 G Minor: Allegro Non Molto | Baroque Festival Orchestra, Alberto Lizzio | G Minor | 0 | 6A | 176 BPM | ||
Sorochinskaya yarmarka (Sorochintsi Fair): Gopak (Hopak) (arr. N. Rimsky-Korsakov for orchestra) | Modest Mussorgsky, Nikolai Rimsky-Korsakov, Ukraine National Symphony Orchestra, Theodore Kuchar | E♭ Major | 2 | 5B | 66 BPM | ||
Cavatina Figaro | Giacomo Rossi, Helmuth Brandenburg | C Major | 3 | 8B | 61 BPM | ||
Gayaneh: Sabre Dance | Aram Khachaturian, Valery Gergiev, Mariinsky Orchestra | C Major | 6 | 8B | 98 BPM | ||
Aida Highlights (1998 Digital Remaster), Act II: Gloria all'Egitto (Chorus) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra, Chorus of the Royal Opera House, Covent Garden | E Major | 3 | 12B | 125 BPM | ||
Rigoletto, Atto III, Canzone: "La donna è mobile" | Giuseppe Verdi, Jonas Kaufmann, Pier Giorgio Morandi, Parma Opera Orchestra | B Major | 2 | 1B | 136 BPM | ||
Estudiantina, Waltz, Op. 191 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 2 | 10B | 99 BPM |
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