"Turandot / Act 1: Perché tarda la luna? (Coro)" by Giacomo Puccini, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus was released on January 1, 1982. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 55 in the song's album "Puccini: Turandot". In this album, this song's track order is #5. Turandot / Act 1: Perché tarda la luna? (Coro) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Turandot / Act 1: Perché tarda la luna? (Coro) by Giacomo Puccini, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Rosenkavalier, Op.59 / Act 3: "Marie Theres'!" - "Hab mir's gelobt, Ihn lieb zu haben" | Richard Strauss, Yvonne Minton, Régine Crespin, Helen Donath, Otto Wiener, Wiener Philharmoniker, Sir Georg Solti | D♭ Major | 3 | 3B | 90 BPM | ||
Parsifal / Act I: "Wein und Brot des letzten Mahles" | Richard Wagner, Hanna Schwarz, Kurt Moll, Berliner Philharmoniker, Herbert von Karajan | A Major | 5 | 11B | 116 BPM | ||
Madama Butterfly (1986 - Remaster), Act II: Io so che alle sue pene (Suzuki/Sharpless/Pinkerton) | Giacomo Puccini, Anna Di Stasio, Carlo Bergonzi, Rolando Panerai, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | B♭ Major | 0 | 6B | 132 BPM | ||
La traviata / Act 2: "Di Provenza il mar, il suol" | Giuseppe Verdi, Thomas Hampson, Wiener Philharmoniker, Carlo Rizzi | D♭ Major | 1 | 3B | 137 BPM | ||
Elektra, Op.58, TrV 223: "Allein! Weh, ganz allein." | Richard Strauss, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti | F Minor | 2 | 4A | 90 BPM | ||
Tik-Tak Polka, Polka schnell, Op. 365 | Johann Strauss II, Gustavo Dudamel, Wiener Philharmoniker | A Major | 6 | 11B | 90 BPM | ||
Jenufa / Act 1: A tak bychom sli celym zivotem | Leoš Janáček, Elisabeth Söderström, Eva Randová, Marie Mrazova, Wiesław Ochman, Vaclav Zitek, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Charles Mackerras | F♯ Major | 2 | 2B | 92 BPM | ||
Puccini: Madama Butterfly, Act 1: "Quale smania vi prende?" (Sharpless, Pinkerton) | Giacomo Puccini, Sir John Barbirolli, Carlo Bergonzi, Rolando Panerai, Orchestra Del Teatro Dell'Opera Di Roma | B♭ Major | 2 | 6B | 64 BPM | ||
Semiramide / Act 1: Alle più calde immagini | Gioachino Rossini, Dame Joan Sutherland, Marilyn Horne, London Symphony Orchestra, Richard Bonynge | E♭ Major | 2 | 5B | 86 BPM | ||
Lohengrin, WWV 75 / Act III: "Treulich geführt ziehet dahin" | Richard Wagner, Renate Hasler, Gretchen Eder, Ulrike Erfurt, Marianne Sattmann, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 75 BPM |
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