Elektra, Op.58, TrV 223: "Allein! Weh, ganz allein." - Richard Strauss, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti Information

Acousticness: 95%
Danceability: 24%
Energy: 24%
Instrumentalness: 0%
Liveness: 53%
Loudness: 73%
Speechiness: 5%
Valence: 4%
Popularity: 16%
Loudness: -16.014 dB

Summary

"Elektra, Op.58, TrV 223: "Allein! Weh, ganz allein."" by Richard Strauss, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti was released on January 1, 1967. Since Elektra, Op.58, TrV 223: "Allein! Weh, ganz allein." is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 29 in the song's album "Strauss, R.: Elektra". In this album, this song's track order is #2. In terms of popularity, Elektra, Op.58, TrV 223: "Allein! Weh, ganz allein." is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Elektra, Op.58, TrV 223: "Allein! Weh, ganz allein." BPM

With Elektra, Op.58, TrV 223: "Allein! Weh, ganz allein." by Richard Strauss, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.

Elektra, Op.58, TrV 223: "Allein! Weh, ganz allein." Key

This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphony No. 3 in D, D.200: III. Menuetto (Vivace)	Franz Schubert, Wiener Philharmoniker, Carlos Kleiber	D Major	1	10B	105 BPM
Stimmungsbilder, Op.9: III. Intermezzo	Alex Alguacil, Richard Strauss	B♭ Major	0	6B	119 BPM
4 Letzte Lieder, TrV 296: No. 2, September	Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann	F♯ Major	1	2B	81 BPM
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": I. Teil. Hymnus. Veni, creator spiritus!	Gustav Mahler, Lorin Maazel, Wiener Philharmoniker	D Major	2	10B	75 BPM
The Hebrides, Op. 26 (Fingal's Cave)	Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi	A Minor	3	8A	96 BPM
Don Quixote, Op. 35, TrV 184: IX. Var. 6. Schnell	Richard Strauss, Yo-Yo Ma, Steven Ansell, Boston Symphony Orchestra, Andris Nelsons	B Major	1	1B	85 BPM
Gurrelieder / Pt. 1: IX. Tove: Du sendest mir einen Liebesblick	Arnold Schoenberg, Sharon Sweet, Wiener Philharmoniker, Claudio Abbado	E♭ Minor	4	2A	130 BPM
Hungarian Dance No.13 In D	Johannes Brahms, Wiener Philharmoniker, Claudio Abbado	D Major	0	10B	127 BPM
Louise, Act III: Depuis le jour	Gustave Charpentier, Kathleen Battle, Orchestre de l’Opéra national de Paris, Myung-Whun Chung	G Major	1	9B	90 BPM
Elektra: Xi. Was bluten muss?	Hugo von Hofmannsthal, Richard Strauss, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler	A♭ Major	2	4B	106 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 1.0467581748962402

End: 1.0499060153961182