Johann Strauss II, Gustavo Dudamel, Wiener Philharmoniker made "Tik-Tak Polka, Polka schnell, Op. 365" available on January 9, 2017. The duration of Tik-Tak Polka, Polka schnell, Op. 365 is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Tik-Tak Polka, Polka schnell, Op. 365's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "New Year's Concert 2017 / Neujahrskonzert 2017". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. In terms of popularity, Tik-Tak Polka, Polka schnell, Op. 365 is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Tik-Tak Polka, Polka schnell, Op. 365 by Johann Strauss II, Gustavo Dudamel, Wiener Philharmoniker having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mephistos Höllenrufe, Walzer, Op. 101 | Johann Strauss II, Gustavo Dudamel, Wiener Philharmoniker | E♭ Major | 2 | 5B | 99 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VII. The Market at Limoges | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 3 | 5B | 123 BPM | ||
Neva Polka, Op. 288 | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | E♭ Major | 4 | 5B | 80 BPM | ||
Pictures At An Exhibition (Orch. Ravel): 8a. Catacombae (Sepulchrum Romanum) | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | B Minor | 0 | 10A | 71 BPM | ||
Gruss an Wien, Polka francaise, Op. 225 | Johann Strauss II, Austrian Radio Symphony Orchestra, Peter Guth | C Major | 1 | 8B | 87 BPM | ||
Klipp-Klapp, Galopp, Op. 466 | Johann Strauss II, Slovak State Philharmonic Orchestra, Kosice, Johannes Wildner | F Major | 3 | 7B | 156 BPM | ||
Symphony No. 5 In C Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 87 BPM | ||
Hungarian Dance No.20 In E Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 1 | 9A | 76 BPM | ||
Die Fledermaus: Ouvertüre | Herbert von Karajan, Wiener Philharmoniker | D Major | 2 | 10B | 46 BPM | ||
The Hebrides, Op. 26 (Fingal's Cave) | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM |
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