Ernest Guiraud, Georges Bizet, Slovak Philharmonic, Anthony Bramall's 'L'Arlesienne Suite No. 2 (arr. E. Guirand for orchestra): III. Minuetto' came out on February 5, 1988. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 19 out of 20 in Bizet: Carmen Suites Nos. 1 and 2 / L'Arlesienne Suites Nos. 1 and 2 by Georges Bizet, Slovak Philharmonic, Anthony Bramall. L'Arlesienne Suite No. 2 (arr. E. Guirand for orchestra): III. Minuetto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'Arlesienne Suite No. 2 (arr. E. Guirand for orchestra): III. Minuetto by Ernest Guiraud, Georges Bizet, Slovak Philharmonic, Anthony Bramall is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Raymonda, Act III: Coda | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | G Major | 1 | 9B | 104 BPM | ||
Raymonda, Op. 57: Act I - La Romanesca | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | E Minor | 0 | 9A | 90 BPM | ||
Berlioz: La damnation de Faust, Op. 24, H 111, Pt. 1: Hungarian March | Hector Berlioz, London Philharmonic Orchestra, Ben Gernon | A Major | 3 | 11B | 87 BPM | ||
Napoli: Act III: Pas de six: Second Lady's solo: Allegretto | Hans Christian Lumbye, Holger Simon Paulli, Niels Gade, Edvard Helsted, Signe Madsen, Lars Ole Schmidt, Aalborg Symphony Orchestra, Peter Ernst Lassen | G Major | 1 | 9B | 85 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: II. Andante mosso, quasi allegretto (1915 Version) | Jean Sibelius, San Francisco Symphony, Esa-Pekka Salonen | G Major | 0 | 9B | 131 BPM | ||
Fanfare and Theme for Symphonic Orchestra | Rafael Krux | B♭ Major | 1 | 6B | 89 BPM | ||
Tosca (arr. for orchestra): Tosca, Act II: Vissi d'arte (arr. for orchestra) | Anonymous , Giacomo Puccini, Sofia Philharmonic Orchestra, Emil Tabakov | E♭ Major | 0 | 5B | 83 BPM | ||
The Seasons, Op. 67, Pt. 2 "Le printemps": No. 8, Entrée de printemps, zéphyre, les fées des fleurs, les oiseaux et les fleurs | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
L'Arlesienne Suite No. 2: IV. Farandole (arr. E. Guiraud for orchestra) | Ernest Guiraud, Georges Bizet, Leningrad Philharmonic Orchestra, Evgeny Mravinsky | E Major | 3 | 12B | 83 BPM | ||
Variation 6: Sostenuto (quasi adagietto) | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | D Major | 1 | 10B | 74 BPM |
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