- BPM
- 79
- Key
- C Major
- Camelot
- 8B
Catfish Row Suite with Scenes from Porgy and Bess: My Man's Gone Now - George Gershwin, Michael Tilson Thomas, Audra McDonald, San Francisco Symphony Information
- Acousticness
- 95%
- Danceability
- 22%
- Energy
- 7%
- Instrumentalness
- 4%
- Liveness
- 11%
- Loudness
- 63%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 1%
- Loudness
- -22.151 dB
Summary
"Catfish Row Suite with Scenes from Porgy and Bess: My Man's Gone Now" by George Gershwin, Michael Tilson Thomas, Audra McDonald, San Francisco Symphony was released on 1976. With this song being about 5 minutes long, at 4:31, "Catfish Row Suite with Scenes from Porgy and Bess: My Man's Gone Now" by George Gershwin, Michael Tilson Thomas, Audra McDonald, San Francisco Symphony is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Gershwin, Michael Tilson Thomas's "Michael Tilson Thomas Conducts Gershwin" album is number 6 out of 90. Catfish Row Suite with Scenes from Porgy and Bess: My Man's Gone Now is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Catfish Row Suite with Scenes from Porgy and Bess: My Man's Gone Now BPM
We consider the tempo marking of Catfish Row Suite with Scenes from Porgy and Bess: My Man's Gone Now by George Gershwin, Michael Tilson Thomas, Audra McDonald, San Francisco Symphony to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Catfish Row Suite with Scenes from Porgy and Bess: My Man's Gone Now Key
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Raymonda, Op. 57: Act III - Variation IV | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Minor | 0 | 7A | 90 BPM | |
 | Poulenc: Flute Sonata, FP 164: II. Cantilena | Francis Poulenc, Emmanuel Pahud, Eric Le Sage | B♭ Minor | 0 | 3A | 64 BPM | |
 | Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | |
 | Grand Fantasy on Porgy and Bess: Summertime (after G. Gershwin) | Earl Wild, Isata Kanneh-Mason | A♭ Minor | 1 | 1A | 74 BPM | |
 | By the Sleepy Lagoon | Eric Coates, David Parry, BBC Symphony Orchestra | C Major | 0 | 8B | 135 BPM | |
 | Appalachian Spring: VII. Doppio movimento | Aaron Copland, Leonard Bernstein, New York Philharmonic | D♭ Major | 1 | 3B | 78 BPM | |
 | Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM | |
 | Toccata & Fugue in D Minor, BWV 565 | Johann Sebastian Bach, Boston Symphony Orchestra, Seiji Ozawa | D Minor | 2 | 7A | 93 BPM | |
 | Pini di Roma, P. 141: I. I pini di Villa Borghese (The Pines of the Villa Borghese) | Ottorino Respighi, Minnesota Orchestra, Eiji Oue | F Major | 3 | 7B | 104 BPM | |
 | Promenade: Walking the Dog | George Gershwin, Michael Tilson Thomas, Los Angeles Philharmonic | C Major | 0 | 8B | 121 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6668245792388916
End: 0.6706364154815674