Daniel Barenboim made "Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.15 in G major BWV860" available on 2004. The duration of Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.15 in G major BWV860 is about 3 minutes long, at 3:12. Based on our data, "Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.15 in G major BWV860" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 30 out of 96 in Bach, JS : Well-Tempered Clavier Books 1 & 2 by Daniel Barenboim. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.15 in G major BWV860 is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.15 in G major BWV860 by Daniel Barenboim is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Piano Sonata No. 2 In A Major, Op. 2, No. 2: 2. Largo appassionato | Ludwig van Beethoven, Daniel Barenboim | D Major | 0 | 10B | 72 BPM | ||
Lyric Pieces Book X, Op. 71: No. 3 Puck | Edvard Grieg, Emil Gilels | B Major | 1 | 1B | 92 BPM | ||
Wagner: Tristan und Isolde: Prelude to Act 3 | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker | F Minor | 0 | 4A | 150 BPM | ||
Suite en Sol: L'Indifférente | Jean-Philippe Rameau, Alexandre Tharaud | G Minor | 1 | 6A | 69 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Symphony for Flute, Oboe, Horn and Strings in D Major: III. Presto | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 78 BPM | ||
Liebestraum No. 3 in A-Flat Major, S. 541: Notturno III: O lieb, so lang du lieben kannst | Franz Liszt, Daniel Barenboim | A♭ Major | 0 | 4B | 139 BPM | ||
Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff) | Wilhelm Kempff, Christoph Willibald Gluck, Idil Biret | F Major | 0 | 7B | 81 BPM | ||
Resta : Bailecito | José Resta, Daniel Barenboim, Rodolfo Mederos, Héctor Console | F Major | 2 | 7B | 165 BPM |
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