"La traviata / Act 1: "Un dì felice, eterea"" by Giuseppe Verdi, Luciano Pavarotti, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge was released on January 1, 1977. The duration of La traviata / Act 1: "Un dì felice, eterea" is about 3 minutes long, at 3:25. Based on our data, "La traviata / Act 1: "Un dì felice, eterea"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Dame Joan Sutherland, Luciano Pavarotti, National Philharmonic Orchestra, Richard Bonynge's "Joan Sutherland / Luciano Pavarotti - Love Duets" album is number 2 out of 7. La traviata / Act 1: "Un dì felice, eterea" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La traviata / Act 1: "Un dì felice, eterea" by Giuseppe Verdi, Luciano Pavarotti, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Verdi: Aïda, Act 3: Aria, "O patria mia" (Aida) | Giuseppe Verdi, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | F Major | 0 | 7B | 74 BPM | ||
Lucia di Lammermoor / Act 3: "Spargi d'amore pianto" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 1 | 8B | 126 BPM | ||
Una voce poco fa from Il Barbiere di Siviglia, '(The) Barber of Seville' | Maria Callas, Philharmonia Orchestra, Tullio Serafin | E Major | 1 | 12B | 136 BPM | ||
Weh mir - Im Traume tief und schwer / O mio rimorso - La Traviata, Alfredo, 2. Akt;1988 Remastered Version | Francesco Maria Piave, Giuseppe Verdi, Josef Traxel | F Major | 3 | 7B | 97 BPM | ||
Un ballo in maschera / Act 3: "Ma se m'è forza perderti" | Giuseppe Verdi, Luciano Pavarotti, National Philharmonic Orchestra, Sir Georg Solti | C Major | 1 | 8B | 81 BPM | ||
Cilea: Adriana Lecouvreur, Act 4: "Poveri fiori" (Adriana Lecouvreur) | Francesco Cilea, Maria Callas, Tullio Serafin, Philharmonia Orchestra | D Minor | 1 | 7A | 58 BPM | ||
Vaga luna che inargenti | Vincenzo Bellini, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | B Major | 2 | 1B | 86 BPM | ||
Rossini: Semiramide: Regina, all'ara - Assur, Semiramide, Idreno, Coro - Act One | Gioachino Rossini, Mario Petri, Dame Joan Sutherland, Ottavio Garaventa, Coro di Roma della RAI | A Minor | 3 | 8A | 70 BPM | ||
Lucia di Lammermoor Tu che a dio spiegasti l'ali | Mario del Monaco | D♭ Major | 2 | 3B | 75 BPM | ||
Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" | Georges Bizet, Marilyn Horne, Wiener Opernchor, Wiener Opernorchester, Henry Lewis | D Major | 2 | 10B | 129 BPM |
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