"Carmen Suite: Entr'acte 2 (Arr. by Jan Valta)" by Georges Bizet, Marc Reift, Philharmonic Wind Orchestra, Marc Reift Orchestra was released on June 21, 2023. The duration of Carmen Suite: Entr'acte 2 (Arr. by Jan Valta) is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Carmen Suite: Entr'acte 2 (Arr. by Jan Valta)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 40 out of 85 in Festival Concert 41 by Marc Reift, Philharmonic Wind Orchestra, Marc Reift Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Carmen Suite: Entr'acte 2 (Arr. by Jan Valta) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmen Suite: Entr'acte 2 (Arr. by Jan Valta) by Georges Bizet, Marc Reift, Philharmonic Wind Orchestra, Marc Reift Orchestra is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia (the Barber of Seville), Overture, Act I: Cavatina. Largo al factotum [Vivace] [arr. W. Sedlak] | Gioachino Rossini, Italiano di Fiati, Paolo Pollastri | C Major | 1 | 8B | 98 BPM | ||
Jacques Offenbach: Les contes d'Hoffmann - Bacarolle | Jacques Offenbach, Orchestre national des Pays de la Loire, Hubert Soudant, David Grimal | D Major | 0 | 10B | 132 BPM | ||
Aida / Act 2: Marcia | Giuseppe Verdi, Orchestra Del Teatro Dell'Opera Di Roma, Sir Georg Solti | F Minor | 3 | 4A | 148 BPM | ||
Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" (Havanaise) | Georges Bizet, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon, Coro Filarmonico del Regio di Torino | G Major | 1 | 9B | 117 BPM | ||
Cavalleria Rusticana: Intermezzo | Pietro Mascagni, Czech Symphony Orchestra, Michaela Rózsa Růžičková | B♭ Major | 2 | 6B | 134 BPM | ||
Symphony No.9 in E minor, Op.95 "From the New World": 3. Scherzo (Molto vivace) | Antonín Dvořák, Cleveland Orchestra, Christoph von Dohnányi | E Minor | 1 | 9A | 127 BPM | ||
The Florentiner March | Julius Fučík, Bertrand Moren, Philharmonic Wind Orchestra Marc Reift, Marc Reift | E♭ Major | 7 | 5B | 120 BPM | ||
Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | ||
Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna | A♭ Major | 0 | 4B | 181 BPM | ||
Minkus: La BayadŠre (Suite after the Ballet arranged by John Lanchbery): No. 8, Second Shade's Solo | Ludwig Minkus, Sydney Symphony Orchestra, John Lanchbery | G Major | 1 | 9B | 176 BPM |
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