"Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" (Havanaise)" by Georges Bizet, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon, Coro Filarmonico del Regio di Torino was released on January 1, 2010. With this song being about 5 minutes long, at 4:42, "Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" (Havanaise)" by Georges Bizet, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon, Coro Filarmonico del Regio di Torino is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon's "Habanera" album is number 17 out of 19. In terms of popularity, Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" (Havanaise) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" (Havanaise) by Georges Bizet, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon, Coro Filarmonico del Regio di Torino to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Artaserse, Act III, Scene 1: Aria "Son qual nave ch'agitata" (Arbace) | Riccardo Broschi, Derek Lee Ragin | D♭ Major | 2 | 3B | 125 BPM | ||
Vivaldi: Il Giustino, RV 717, Act 1: "Vedrò con mio diletto" (Anastasio) | Antonio Vivaldi, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E♭ Major | 1 | 5B | 94 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
Baracolle - From “The Tales of Hoffmann” | Katherine Jenkins, The Czech Film Orchestra, William Hayward | D Major | 5 | 10B | 163 BPM | ||
Tosca / Act 2: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Mirella Freni, Sherrill Milnes, National Philharmonic Orchestra, Nicola Rescigno | F Minor | 1 | 4A | 166 BPM | ||
Bachianas brasileiras No. 5 for Soprano and Cellos: Aria (Cantilena) | Heitor Villa-Lobos, Elina Garanca, Staatskapelle Dresden, Fabio Luisi | F Major | 0 | 7B | 139 BPM | ||
O Mio Bambino Care | Gianni Schicchi, Tivolis Promenadeorkester, Louise Fribo, Hans Nielsen, Bjørn Hyrup | A♭ Major | 3 | 4B | 70 BPM | ||
"Heia, heia, in den Bergen ist mein Heimatland" | Emmerich Kálmán, Anna Netrebko | C Minor | 4 | 5A | 72 BPM | ||
Verdi: Rigoletto, Act 3: "La donna è mobile" (Duca) | Giuseppe Verdi, Carlo Rizzi, Orchestra of Welsh National Opera, Richard Leech | D Major | 1 | 10B | 131 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus] | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, Bruxelles | D Major | 1 | 10B | 81 BPM |
Section: 0.6342871189117432
End: 0.6391298770904541