"Pagliacci, Atto Primo, Scena seconda/Scene 2/Zweite Szene/Deuxième Scène: Sei là? Credea che te ne fossi andato (Nedda/Tonio)" by Ruggero Leoncavallo, José Carreras, Philharmonia Orchestra, Riccardo Muti was released on 1979. With Pagliacci, Atto Primo, Scena seconda/Scene 2/Zweite Szene/Deuxième Scène: Sei là? Credea che te ne fossi andato (Nedda/Tonio) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Riccardo Muti, Philharmonia Orchestra's "Mascagni: Cavalleria Rusticana/Leoncavallo: I Pagliacci" album is number 7 out of 44. In terms of popularity, Pagliacci, Atto Primo, Scena seconda/Scene 2/Zweite Szene/Deuxième Scène: Sei là? Credea che te ne fossi andato (Nedda/Tonio) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pagliacci, Atto Primo, Scena seconda/Scene 2/Zweite Szene/Deuxième Scène: Sei là? Credea che te ne fossi andato (Nedda/Tonio) by Ruggero Leoncavallo, José Carreras, Philharmonia Orchestra, Riccardo Muti to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Pagliacci / Act II: "No, Pagliaccio non son" | Ruggero Leoncavallo, Joan Carlyle, Carlo Bergonzi, Rolando Panerai, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | E♭ Major | 4 | 5B | 128 BPM | ||
O tu che in seno agli Angeli | Mario del Monaco | D Major | 2 | 10B | 93 BPM | ||
La belle Hélène / Act 1: Au mont Ida...Le jugement de Paris | Jacques Offenbach, Joseph Calleja, Academy of St. Martin in the Fields, Carlo Rizzi | B♭ Major | 2 | 6B | 96 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | C Major | 2 | 8B | 90 BPM | ||
Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | ||
Pagliacci / Act 2: "Presto, affrettiamoci" | Ruggero Leoncavallo, Teresa Stratas, Juan Pons, Florindo Andreolli, Alberto Rinaldi, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre | E Major | 2 | 12B | 121 BPM | ||
La Gioconda / Act 2: "Cielo e mar!" | Amilcare Ponchielli, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | E♭ Major | 2 | 5B | 84 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Andrea Bocelli, Moscow Radio Symphony Orchestra, Vladimir Fedoseyev | B♭ Minor | 1 | 3A | 83 BPM |
Section: 0.7609457969665527
End: 0.7665607929229736