Ruggero Leoncavallo, Joan Carlyle, Carlo Bergonzi, Rolando Panerai, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano's 'Pagliacci / Act II: "No, Pagliaccio non son"' came out on January 1, 1966. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ruggero Leoncavallo, Carlo Bergonzi, Joan Carlyle, Giuseppe Taddei, Ugo Benelli, Rolando Panerai, Giuseppe Morresi, Franco Ricciardi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano, Roberto Benaglio's "Leoncavallo: I Pagliacci" album is number 23 out of 24. Based on our statistics, Pagliacci / Act II: "No, Pagliaccio non son"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pagliacci / Act II: "No, Pagliaccio non son" by Ruggero Leoncavallo, Joan Carlyle, Carlo Bergonzi, Rolando Panerai, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pagliacci / Act 1: "Nedda! Silvio, a quest'ora" | Ruggero Leoncavallo, Teresa Stratas, Alberto Rinaldi, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre | C Minor | 1 | 5A | 91 BPM | ||
Le Nozze di Figaro, K.492 (1997 - Remaster): Porgi, amor | Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Major | 1 | 5B | 79 BPM | ||
Martha: M´apparì, tutt´amor | Carlo Bergonzi, Orchestra Sinfonica e Coro di Torino della RAI, Massimo Pradella | F Major | 2 | 7B | 68 BPM | ||
Spartacus: Adagio of Spartacus and Phrygia | Aram Khachaturian, Wiener Philharmoniker | A♭ Major | 1 | 4B | 129 BPM | ||
Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 1 | 6A | 79 BPM | ||
The Blue Danube Waltz, Op. 314 | Johann Strauss II, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 84 BPM | ||
Coro de los Gitanos de Il Trovatore (De "Una Noche en la Opera") | The Oscar's Orchestra | G Major | 2 | 9B | 135 BPM | ||
Rossini : La Cenerentola : Act 2 "Non più mesta accanto al fuoco" [Cenerentola, Clorinda, Tisbe, Dandini, Magnifico, Chorus] | Gioachino Rossini, Carlo Rizzi, Orchestra of the Royal Opera House, Covent Garden | E Major | 2 | 12B | 127 BPM | ||
Miniera | Leo Nucci, Salotto Ottocento Ensemble | A Major | 2 | 11B | 119 BPM | ||
O tu che in seno agli Angeli | Mario del Monaco | D Major | 2 | 10B | 93 BPM |
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