"Martha: M´apparì, tutt´amor" by Carlo Bergonzi, Orchestra Sinfonica e Coro di Torino della RAI, Massimo Pradella was released on January 11, 2011. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 19 out of 20 in Early Recordings 1951-1960 by Carlo Bergonzi. Martha: M´apparì, tutt´amor is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Martha: M´apparì, tutt´amor by Carlo Bergonzi, Orchestra Sinfonica e Coro di Torino della RAI, Massimo Pradella is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | ||
Ingrata, Lidia, hai vinto, RV 673: O di tua man mi svena | Antonio Vivaldi, Carlo Bergonzi, Felix Lavilla | G Major | 1 | 9B | 133 BPM | ||
O Mio remorso | Carlo Bergonzi | C Major | 2 | 8B | 80 BPM | ||
Strauss, R: 4 Lieder, Op. 27: No. 4, Morgen! (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony Orchestra | G Major | 1 | 9B | 75 BPM | ||
Samson et Dalila, Op.47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Elina Garanca, Filarmonica del Teatro Comunale di Bologna, Yves Abel | D♭ Major | 1 | 3B | 73 BPM | ||
Casanova: Nuns' Chorus | Johann Strauss II, Kiri Te Kanawa, The Tabernacle Choir at Temple Square, Utah Symphony Orchestra, Julius Rudel | F♯ Major | 2 | 2B | 100 BPM | ||
Rigoletto / Act 1: "Questa o quella" (Ballata) (Duca) | Giuseppe Verdi, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Rafael Kubelík | A♭ Major | 2 | 4B | 102 BPM | ||
Per lei: No. 6, Ed ecco il sogno | Francesco Paolo Tosti, Carlo Bergonzi, Orchestra Da Camera Di Roma, Edoardo Muller | G Major | 1 | 9B | 104 BPM | ||
Madame Butterfly: "Addio fiorito asil" | Mario del Monaco | D♭ Major | 4 | 3B | 88 BPM | ||
Lohengrin: Treulich gefuhrt ziehet dahin | John Horton Murray, Margaret Jane Wray, Bolshoi Theatre Chorus, Russian State Symphony Orchestra, John McGlinn | B♭ Major | 0 | 6B | 70 BPM |
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