"Schubert: Stabat Mater in F Minor, D. 383: No. 1, Chor. "Jesus Christus schwebt am Kreuzel"" by Franz Schubert, Michel Corboz, Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne was released on October 1, 1994. The duration of Schubert: Stabat Mater in F Minor, D. 383: No. 1, Chor. "Jesus Christus schwebt am Kreuzel" is about 3 minutes long, at 3:01. Based on our data, "Schubert: Stabat Mater in F Minor, D. 383: No. 1, Chor. "Jesus Christus schwebt am Kreuzel"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Schubert : Stabat Mater, Offertorium & Magnificat (Apex)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from France. Schubert: Stabat Mater in F Minor, D. 383: No. 1, Chor. "Jesus Christus schwebt am Kreuzel" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schubert: Stabat Mater in F Minor, D. 383: No. 1, Chor. "Jesus Christus schwebt am Kreuzel" by Franz Schubert, Michel Corboz, Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 20 in A, D.959: 2. Andantino | Franz Schubert, Alfred Brendel | E♭ Minor | 1 | 2A | 152 BPM | ||
Tristan und Isolde / Act 3: "Mild und leise wie er lächelt" | Richard Wagner, Margaret Price, Staatskapelle Dresden, Carlos Kleiber | B Major | 2 | 1B | 90 BPM | ||
Symphony No. 3, Op. 36: II. Lento e Largo - Tranquillissimo | Henryk Górecki, Dawn Upshaw, London Sinfonietta, David Zinman | B♭ Minor | 1 | 3A | 70 BPM | ||
Vesperae Solennes de Confessore in C Major, K. 339: V. Laudate Dominum | Nicholas Britell | F Major | 1 | 7B | 84 BPM | ||
Leningrad (Orch. Dannheisser) | Lisa Batiashvili, London Metropolitan Orchestra, Andy Brown | A Major | 1 | 11B | 87 BPM | ||
Swan Lake, Op.20, TH.12 / Act 2: No.10 Scène (Moderato) | Pyotr Ilyich Tchaikovsky, Orchestre Symphonique de Montréal, Charles Dutoit | E Minor | 2 | 9A | 88 BPM | ||
Dido and Aeneas, Z. 626: Act III: When I am Laid in Earth | Henry Purcell, Leontyne Price, Francesco Molinari-Pradelli | G Minor | 1 | 6A | 86 BPM | ||
Lorsque vous n'aurez rien à faire | Dawn Upshaw | G Major | 2 | 9B | 87 BPM | ||
Tannhäuser, WWV 70 / Act 2: "Dich, teure Halle, grüß ich wieder" | Richard Wagner, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | E Minor | 2 | 9A | 169 BPM | ||
Requiem: III. Tuba Mirum | Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra, John Relyea | D♭ Minor | 2 | 12A | 97 BPM |
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