Schubert: Stabat Mater in F Minor, D. 383: No. 1, Chor. "Jesus Christus schwebt am Kreuzel"
Franz Schubert, Michel Corboz, Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne
Schubert : Stabat Mater, Offertorium & Magnificat (Apex)
3:01 October 1, 1994
BPM
87
Key
D♭ Major
Camelot
3B

Embed

Share Link

Schubert: Stabat Mater in F Minor, D. 383: No. 1, Chor. "Jesus Christus schwebt am Kreuzel" - Franz Schubert, Michel Corboz, Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne Information

Acousticness
94%
Danceability
9%
Energy
15%
Instrumentalness
90%
Liveness
20%
Loudness
68%
Speechiness
4%
Valence
4%
Popularity
Loudness
-19.033 dB

Summary

"Schubert: Stabat Mater in F Minor, D. 383: No. 1, Chor. "Jesus Christus schwebt am Kreuzel"" by Franz Schubert, Michel Corboz, Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne was released on October 1, 1994. The duration of Schubert: Stabat Mater in F Minor, D. 383: No. 1, Chor. "Jesus Christus schwebt am Kreuzel" is about 3 minutes long, at 3:01. Based on our data, "Schubert: Stabat Mater in F Minor, D. 383: No. 1, Chor. "Jesus Christus schwebt am Kreuzel"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Schubert : Stabat Mater, Offertorium & Magnificat (Apex)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from France. Schubert: Stabat Mater in F Minor, D. 383: No. 1, Chor. "Jesus Christus schwebt am Kreuzel" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Schubert: Stabat Mater in F Minor, D. 383: No. 1, Chor. "Jesus Christus schwebt am Kreuzel" BPM

With Schubert: Stabat Mater in F Minor, D. 383: No. 1, Chor. "Jesus Christus schwebt am Kreuzel" by Franz Schubert, Michel Corboz, Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.

Schubert: Stabat Mater in F Minor, D. 383: No. 1, Chor. "Jesus Christus schwebt am Kreuzel" Key

D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Piano Sonata No. 20 in A, D.959: 2. Andantino by Franz Schubert, Alfred BrendelPiano Sonata No. 20 in A, D.959: 2. AndantinoFranz Schubert, Alfred BrendelE♭ Minor12A152 BPM
Tristan und Isolde / Act 3: Tristan und Isolde / Act 3: "Mild und leise wie er lächelt"Richard Wagner, Margaret Price, Staatskapelle Dresden, Carlos KleiberB Major21B90 BPM
Symphony No. 3, Op. 36: II. Lento e Largo - Tranquillissimo by Henryk Górecki, Dawn Upshaw, London Sinfonietta, David ZinmanSymphony No. 3, Op. 36: II. Lento e Largo - TranquillissimoHenryk Górecki, Dawn Upshaw, London Sinfonietta, David ZinmanB♭ Minor13A70 BPM
Vesperae Solennes de Confessore in C Major, K. 339: V. Laudate Dominum by Nicholas BritellVesperae Solennes de Confessore in C Major, K. 339: V. Laudate DominumNicholas BritellF Major17B84 BPM
Leningrad (Orch. Dannheisser) by Lisa Batiashvili, London Metropolitan Orchestra, Andy BrownLeningrad (Orch. Dannheisser)Lisa Batiashvili, London Metropolitan Orchestra, Andy BrownA Major111B87 BPM
Swan Lake, Op.20, TH.12 / Act 2: No.10 Scène (Moderato) by Pyotr Ilyich Tchaikovsky, Orchestre Symphonique de Montréal, Charles DutoitSwan Lake, Op.20, TH.12 / Act 2: No.10 Scène (Moderato)Pyotr Ilyich Tchaikovsky, Orchestre Symphonique de Montréal, Charles DutoitE Minor29A88 BPM
Dido and Aeneas, Z. 626: Act III: When I am Laid in Earth by Henry Purcell, Leontyne Price, Francesco Molinari-PradelliDido and Aeneas, Z. 626: Act III: When I am Laid in EarthHenry Purcell, Leontyne Price, Francesco Molinari-PradelliG Minor16A86 BPM
Lorsque vous n'aurez rien à faire by Dawn UpshawLorsque vous n'aurez rien à faireDawn UpshawG Major29B87 BPM
Tannhäuser, WWV 70 / Act 2: Tannhäuser, WWV 70 / Act 2: "Dich, teure Halle, grüß ich wieder"Richard Wagner, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka SalonenE Minor29A169 BPM
Requiem: III. Tuba Mirum by Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra, John RelyeaRequiem: III. Tuba MirumGiuseppe Verdi, Sir Colin Davis, London Symphony Orchestra, John RelyeaD♭ Minor212A97 BPM
ISRC
FRZ207805001
Label
L-M Records/RCA Records

Section: 0.8124947547912598

End: 0.8209078311920166