Georg Philipp Telemann, Robert King, The King's Consort's 'Wassermusik Suite, TWV 55:C3 "Hamburger Ebb' und Fluth": VIII. Menuet. Der angenehme Zephir' came out on July 1, 1997. The duration of Wassermusik Suite, TWV 55:C3 "Hamburger Ebb' und Fluth": VIII. Menuet. Der angenehme Zephir is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Wassermusik Suite, TWV 55:C3 "Hamburger Ebb' und Fluth": VIII. Menuet. Der angenehme Zephir's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The King's Consort, George Frideric Handel, Robert King, Georg Philipp Telemann's "Handel & Telemann: Water Music" album is number 27 out of 29. On top of that, United Kingdom appears to be the country where this track was created. Wassermusik Suite, TWV 55:C3 "Hamburger Ebb' und Fluth": VIII. Menuet. Der angenehme Zephir is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Wassermusik Suite, TWV 55:C3 "Hamburger Ebb' und Fluth": VIII. Menuet. Der angenehme Zephir by Georg Philipp Telemann, Robert King, The King's Consort to be Lento (slowly) because the track has a tempo of 48 BPM, a half-time of 24BPM, and a double-time of 96 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio Sonata in F Major, TWV 42:F6: I. Vivace | Georg Philipp Telemann, Erik Bosgraaf, Lucile Boulanger, Robert Smith, Alessandro Pianu | G Major | 0 | 9B | 119 BPM | ||
Sonata in A Major for Two Violins and Bass Continuo: II. Untitled | John Blow, Palladian Ensemble | E Major | 1 | 12B | 133 BPM | ||
Al fragor di lieta tromba, Sinfonia: III. Allegro | Alessandro Scarlatti, Alessandro Stradella Consort, Estevan Velardi | G Minor | 0 | 6A | 117 BPM | ||
Trio Sonata in D Major, D01: II. Andante | Giuseppe Tartini, Maurizio Schiavo, Ayako Matsunaga, Antonio Papetti, Danilo Costantini, Il Demetrio | D♭ Minor | 1 | 12A | 87 BPM | ||
Symphony in F Major: II. Andante - III. Presto | Giovanni Battista Pergolesi, Dorothee Oberlinger, Ensemble 1700 | E Major | 1 | 12B | 182 BPM | ||
Sonata a 6 in D Minor, G. 23 | David Pohle, Clematis, Brice Sailly, Stéphanie de Failly | D Major | 1 | 10B | 93 BPM | ||
Airs for the Autumn: Night Shade: I. Aria: Pastorale vivace | James Oswald, The Broadside Band | D♭ Major | 2 | 3B | 135 BPM | ||
Concerto for 2 Horns, Strings and Continuo in D: 4. Allegro assai | Georg Philipp Telemann, Hermann Baumann, Timothy Brown, Academy of St. Martin in the Fields, Iona Brown | D Major | 3 | 10B | 104 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5: II. Vivace (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Sinfonia No. 8 in si bemolle maggiore (Gesù presentato nel tempio): II. Largo | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM |
Section: 0.5389084815979004
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