"Lakmé, Act III (Sung in Russian): Vivant ! Ah ! Frederic !" by Léo Delibes, Sergei Lemeshev, Hugo Titz, All-Union Radio Symphony Orchestra, Alexander Orlov was released on March 1, 2017. With this song being about 5 minutes long, at 4:34, "Lakmé, Act III (Sung in Russian): Vivant ! Ah ! Frederic !" by Léo Delibes, Sergei Lemeshev, Hugo Titz, All-Union Radio Symphony Orchestra, Alexander Orlov is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 14 out of 41 in Delibes: Lakmé (Sung in Russian) by Léo Delibes, Sergei Lemeshev, All-Union Radio Symphony Orchestra, Alexander Orlov. Going off of the ISRC code of this track, we detected that the origin of this track is from Czechia. In terms of popularity, Lakmé, Act III (Sung in Russian): Vivant ! Ah ! Frederic ! is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Lakmé, Act III (Sung in Russian): Vivant ! Ah ! Frederic ! by Léo Delibes, Sergei Lemeshev, Hugo Titz, All-Union Radio Symphony Orchestra, Alexander Orlov is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Concerto For 2 Mandolins, Strings And Continuo In G, RV 532: 3. Allegro | Antonio Vivaldi, James Tyler, Robin Jeffrey, The English Concert, Trevor Pinnock | D♭ Major | 2 | 3B | 144 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 127 BPM | ||
Violin Sonata in G Minor, "Devil's Trill": III. Allegro assai | Giuseppe Tartini, Ray Chen | G Minor | 1 | 6A | 75 BPM | ||
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM | ||
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM | ||
Waltz in C-sharp minor, Op. 64 No. 2 | Frédéric Chopin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 96 BPM | ||
Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Leonidas Kavakos, Yuja Wang | E♭ Major | 0 | 5B | 74 BPM | ||
Ancient Airs And Dances, Suite No.3, P. 172: 3. Siciliana | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | C Minor | 2 | 5A | 109 BPM |
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