"Symphony No. 3 "The Camp Meeting": I. Old Folks Gatherin' - Andante maestoso" by Charles Ives, Los Angeles Philharmonic, Gustavo Dudamel was released on August 28, 2020. Since Symphony No. 3 "The Camp Meeting": I. Old Folks Gatherin' - Andante maestoso is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 10 out of 16 in Charles Ives: Complete Symphonies by Charles Ives, Los Angeles Philharmonic, Gustavo Dudamel. Based on our statistics, Symphony No. 3 "The Camp Meeting": I. Old Folks Gatherin' - Andante maestoso's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 3 "The Camp Meeting": I. Old Folks Gatherin' - Andante maestoso by Charles Ives, Los Angeles Philharmonic, Gustavo Dudamel is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Music for Strings, Percussion and Celesta, Sz. 106: II. Allegro | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D♭ Major | 2 | 3B | 142 BPM | ||
Pictures At An Exhibition: Gnomus | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Major | 0 | 1B | 99 BPM | ||
The Ring - An Orchestral Adventure, arranged by Henk de Vlieger: I. Vorspiel | Richard Wagner, Kristjan Järvi | E♭ Major | 0 | 5B | 95 BPM | ||
Shchedrin: Carmen Suite: I. Introduction (after Bizet's opera) | Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev | D♭ Major | 4 | 3B | 154 BPM | ||
Symphony No.2: 1. Andante moderato | Charles Ives, New York Philharmonic, Leonard Bernstein | D Major | 1 | 10B | 112 BPM | ||
2 Thoughts About the Piano: No. 2. Catenaires | Elliott Carter, Ursula Oppens | F♯ Major | 3 | 2B | 68 BPM | ||
Rissolty Rossolty | Ruth Crawford Seeger, Schönberg Ensemble, Oliver Knussen | F Major | 3 | 7B | 117 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | F Minor | 2 | 4A | 117 BPM | ||
Vetrate di chiesa (Church Windows), P. 150: III. Il Mattutino di Santa Chiara [the Matins of St. Clare] | Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann Falletta | A Minor | 1 | 8A | 121 BPM | ||
Alpine Symphony: Night | Richard Strauss, Rico Saccani, Budapest Philharmonic Orchestra | B♭ Minor | 3 | 3A | 81 BPM |
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