Johann Adolf Hasse, Veronika Mrackova Fucikova, Hofmusici's 'Oh Dio! Partir conviene: Aria: Ah, se potessi almeno' came out on April 1, 2016. With this song being about 5 minutes long, at 4:44, "Oh Dio! Partir conviene: Aria: Ah, se potessi almeno" by Johann Adolf Hasse, Veronika Mrackova Fucikova, Hofmusici is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Johann Adolf Hasse, Hofmusici's "Hasse: Complete Solo Cantatas, Vol. 1" album is number 14 out of 21. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Oh Dio! Partir conviene: Aria: Ah, se potessi almeno's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Oh Dio! Partir conviene: Aria: Ah, se potessi almeno by Johann Adolf Hasse, Veronika Mrackova Fucikova, Hofmusici to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto a violono e viola da gamba in C Minor, GraunWV A:XIII:3: III. Allegro | Johann Gottlieb Graun, Ensemble Baroque De Limoges, Christophe Coin, Gilles Colliard | B Minor | 2 | 10A | 120 BPM | ||
Flute Concerto in G Major, QV 5:165: III. Presto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | F Major | 1 | 7B | 107 BPM | ||
Concerto primo in G Major: III. Allegro assai | Baldassare Galuppi, Ensemble StilModerno | G Major | 1 | 9B | 88 BPM | ||
Stabat Mater: Vidit suum dulcem Natum | Agostino Steffani, Salvo Vitale, I Barocchisti, Diego Fasolis | G Minor | 1 | 6A | 34 BPM | ||
Lamentio Sanctae Matris Ecclesiae Constantinopolitanae | Guillaume Dufay, Johann Adolf Hasse, Jordi Savall | F Major | 0 | 7B | 122 BPM | ||
Mondonville : In exitu Israel : V | Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants | E♭ Major | 1 | 5B | 92 BPM | ||
Symphonie a 4 N 6 en sol mineur, Op.5: Allegro | Johann Adolf Hasse, Veronique Dietschy, Dennis James, Daniel Cuiller, Stradivaria | F♯ Minor | 2 | 11A | 130 BPM | ||
Les Indes galantes, Prologue, Scène 2: Air grave pour deux polonais | Jean-Philippe Rameau, Les Arts Florissants, William Christie | A Major | 0 | 11B | 114 BPM | ||
Vinci: Artaserse, Act 1: "Vo solcando un mar crudel" (Arbace) | Leonardo Vinci, Diego Fasolis, Philippe Jaroussky, Max Emanuel Cenčić, Franco Fagioli, Valer Barna-Sabadus, I Barocchisti, Yuriy Mynenko, Daniel Behle, Concerto Köln | D♭ Major | 3 | 3B | 83 BPM | ||
Concerto Grosso No. 3 in D Minor (after D. Scarlatti): IV. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 87 BPM |
Section: 0.5917038917541504
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