"Lamentio Sanctae Matris Ecclesiae Constantinopolitanae" by Guillaume Dufay, Johann Adolf Hasse, Jordi Savall was released on January 26, 2018. Since Lamentio Sanctae Matris Ecclesiae Constantinopolitanae is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Venezia Millenaria by Jordi Savall. The song's track number on the album is #15 out of 37 tracks. Based on our data, Switzerland was the country where this track was produced or recorded. Based on our statistics, Lamentio Sanctae Matris Ecclesiae Constantinopolitanae's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lamentio Sanctae Matris Ecclesiae Constantinopolitanae by Guillaume Dufay, Johann Adolf Hasse, Jordi Savall has a tempo of 122 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Lamentio Sanctae Matris Ecclesiae Constantinopolitanae being at 122 BPM, the half-time would be 61 BPM with a double-time of 244 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Intabolatura de lauto, Book 4: Calata ala spagnola | Joan Ambrosio Dalza, Christopher Wilson | B♭ Major | 1 | 6B | 121 BPM | ||
Mal un muta per effecto | Marchetto Cara, Shirley Rumsey | A Minor | 0 | 8A | 97 BPM | ||
The silver swan | Orlando Gibbons, The Forbury Consort, Alan Crumpler, Martin Pope, The Holbein Consort, Steven Player | F Major | 0 | 7B | 72 BPM | ||
Chansons (arr. for voice and chamber ensemble): Vergene bella | Guillaume Dufay, Bernhard Landauer, Unicorn Ensemble, Michael Posch | D Minor | 1 | 7A | 171 BPM | ||
Isorhythmic Motets: Ecclesie militantis - Sanctorium arbitrio - Bella canunt gentes | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | D Minor | 2 | 7A | 82 BPM | ||
Fortune my foe | John Dowland, Trinity Baroque, Steven Player, The Holbein Consort, Julian Podger, The Forbury Consort, Martin Pope, Alan Crumpler | C Major | 0 | 8B | 93 BPM | ||
The English Dance Master, Vol. 1: The Beggar Boy | John Playford, Baltimore Consort | F Major | 0 | 7B | 78 BPM | ||
Messe de Nostre Dame: Credo | Guillaume de Machaut, Oxford Camerata, Jeremy Summerly | C Major | 1 | 8B | 75 BPM | ||
Jay pris amours | Francesco Spinacino, Shirley Rumsey, Christopher Wilson | B♭ Major | 1 | 6B | 137 BPM | ||
Viderunt omnes: ...fines terre salutare dei nostri jubilate deo omnis terra (plainchant) | Pérotin, Tonus Peregrinus, Antony Pitts | A♭ Major | 2 | 4B | 111 BPM |
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