"Songs of Faith, Op. 97, Set 2 (Arr. for Voice & Orchestra by Jeremy Dibble): I. To the Soul" by Charles Villiers Stanford, Morgan Pearse, BBC Concert Orchestra, John Andrews had its release date on June 7, 2024. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 22 in the song's album "Stanford: Orchestral Songs". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Songs of Faith, Op. 97, Set 2 (Arr. for Voice & Orchestra by Jeremy Dibble): I. To the Soul is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Songs of Faith, Op. 97, Set 2 (Arr. for Voice & Orchestra by Jeremy Dibble): I. To the Soul by Charles Villiers Stanford, Morgan Pearse, BBC Concert Orchestra, John Andrews having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pilgrims' Hymn | Stephen Paulus, Utah State University Chamber Singers, Cory Evans | F♯ Major | 0 | 2B | 75 BPM | ||
Three Songs of Faith: hope, faith, life, love | Eric Whitacre, Conspirare, Craig Hella Johnson | B♭ Major | 1 | 6B | 67 BPM | ||
Laudate Nomen | Christopher Tye, Voices of Ascension Chorus, Dennis Keene | G Major | 1 | 9B | 64 BPM | ||
Requiem, Op. 63: Ia. Introit. Requiem aeternam – | Charles Villiers Stanford, City Of Birmingham Symphony Orchestra, University of Birmingham Voices, Martyn Brabbins | E Minor | 2 | 9A | 88 BPM | ||
Nunc Dimittis: Nunc dimittis | Arvo Pärt, South Dakota Chorale, Brian A. Schmidt | A Major | 0 | 11B | 77 BPM | ||
Mass for Double Choir: IV. Sanctus - Benedictus | Frank Martin, Westminster Choir, Joe Miller | D Major | 2 | 10B | 122 BPM | ||
Tallis: Sancte Deus - 1. Sancte Deus | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 104 BPM | ||
Media Vita | Kerensa Briggs, Anna Lapwood, The Chapel Choir of Pembroke College, Cambridge | B Minor | 1 | 10A | 143 BPM | ||
Burial Service: III. Thou Knowest, Lord, the Secrets of our Hearts | Thomas Morley, Michael Bawtree, Annabell McLauchlan, David Rowland | G Minor | 1 | 6A | 105 BPM | ||
Geistliche Chormusik: Die Himmel erzählen die Ehre Gottes, SWV 386 | Heinrich Schütz, Collegium Vocale Gent, Philippe Herreweghe | C Major | 1 | 8B | 143 BPM |