"Requiem, Op. 63: Ia. Introit. Requiem aeternam –" by Charles Villiers Stanford, City Of Birmingham Symphony Orchestra, University of Birmingham Voices, Martyn Brabbins was released on May 5, 2023. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 30 in the song's album "Stanford: Requiem". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Requiem, Op. 63: Ia. Introit. Requiem aeternam – is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Requiem, Op. 63: Ia. Introit. Requiem aeternam – by Charles Villiers Stanford, City Of Birmingham Symphony Orchestra, University of Birmingham Voices, Martyn Brabbins having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Warum ist das Licht gegeben dem Mühseligen? Op. 74 No. 1: II. Lasset uns. Wenig bewegter | Johannes Brahms, Cappella Amsterdam, Daniel Reuss | D♭ Major | 2 | 3B | 176 BPM | ||
Sleep (orch. Jim Clements) | Eric Whitacre, VOCES8 Foundation Choir, VOCES8 Foundation Orchestra, Jack Liebeck, Barnaby Smith | C Minor | 1 | 5A | 78 BPM | ||
For the Beauty of the Earth (Version for Choir & Piano) | Philip Stopford, The Ecclesium Choir | A♭ Major | 1 | 4B | 143 BPM | ||
Liturgical Chants: Ave Maria | Valentin Silvestrov, Karlis Rutentals, Latvian Radio Choir, Sigvards Kļava | B Minor | 0 | 10A | 82 BPM | ||
Laudi alla Vergine Maria | Giuseppe Verdi, Salzburg Bach Choir, Alois Glassner | C Major | 2 | 8B | 73 BPM | ||
Surrexit Christus hodie | Samuel Scheidt, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 79 BPM | ||
2 Partsongs, Op. 26: No. 1, The Snow | Edward Elgar, Bavarian Radio Chorus, Radoslaw Szulc, Julita Smoleń, Max Hanft, Howard Arman | G Minor | 1 | 6A | 134 BPM | ||
My Love Dwelt in A Northern Land, Op. 18, No. 3 | Edward Elgar, musica intima | A Minor | 1 | 8A | 105 BPM | ||
Requiem canticorum: Introit | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | E♭ Major | 2 | 5B | 122 BPM | ||
Call To Remembrance | The Choir Of Waltham Abbey, Stuart Nicholson | F♯ Minor | 0 | 11A | 0 BPM |
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