"Paganini Variations (Arr. for Two Pianos and Percussion)" by Witold Lutosławski, Safri Duo, Slovak Piano Duo was released on October 1, 1995. With this song being about 5 minutes long, at 5:27, "Paganini Variations (Arr. for Two Pianos and Percussion)" by Witold Lutosławski, Safri Duo, Slovak Piano Duo is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 8 in Bartók: Sonatas - Lutoslawski: Paganini Variations - Helweg: America Fantasy by Sven Helbig, Mondëna Quartet, Jörg Brückner, Robinson Wappler, Anne Grethen, Tom Götze, Wide Eyed, Alban Claudin, Safri Duo, Slovak Piano Duo. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Paganini Variations (Arr. for Two Pianos and Percussion) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Paganini Variations (Arr. for Two Pianos and Percussion) by Witold Lutosławski, Safri Duo, Slovak Piano Duo is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Two Pieces for violin, viola and piano: II. Allegro con molto moto | Benjamin Britten, Isabelle Faust, Alexander Melnikov, Boris Faust | F♯ Major | 1 | 2B | 138 BPM | ||
Dance Preludes *: No. 1. Allegro molto | Witold Lutosławski, Charles West, Susan Grace | B Major | 3 | 1B | 100 BPM | ||
Schubert / Orch. Mahler: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": II. Andante con moto | Franz Schreker, Camerata Academica Salzburg/Franz Welser-Möst, Franz Welser-Möst, Camerata Salzburg | A Major | 0 | 11B | 80 BPM | ||
Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Frankfurt Radio Symphony Orchestra, Paavo Järvi | G Major | 0 | 9B | 129 BPM | ||
Variasjoner over Med Jesus vil eg fara: III. Var 2 | Knut Nystedt, Anders Eidsten Dahl | E♭ Major | 0 | 5B | 69 BPM | ||
Pictures at an Exhibition (Orch. M. Ravel): VIIIb. Con mortuis in lingua mortua | Modest Mussorgsky, フランス国立リヨン管弦楽団, レナード・スラットキン | F♯ Major | 0 | 2B | 46 BPM | ||
Violin Concerto No. 2 in D Minor, Op. 61: II. Andantino sostenuto | Karol Szymanowski, Warmia Symphonic Orchestra, Silvano Frontalini, Beatrice Antonionini | A♭ Major | 4 | 4B | 103 BPM | ||
String Quartet No. 7 in F-Sharp Minor, Op. 108: II. Lento | Dmitri Shostakovich, Asasello Quartett | F Major | 0 | 7B | 173 BPM | ||
Strauss, R: Also sprach Zarathustra, Op. 30: V. The Song of the Grave | Richard Strauss, Wolfgang Sawallisch, Philadelphia Orchestra | F♯ Minor | 1 | 11A | 61 BPM | ||
Armida: Overture | Gioachino Rossini, Donato Renzetti, Orchestra Filarmonica Gioachino Rossini | D Major | 1 | 10B | 81 BPM |
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