"Schubert / Orch. Mahler: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": II. Andante con moto" by Franz Schreker, Camerata Academica Salzburg/Franz Welser-Möst, Franz Welser-Möst, Camerata Salzburg was released on July 2, 2010. Since Schubert / Orch. Mahler: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": II. Andante con moto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 18 in Franz Schreker - Chamber Symphony; Hussar Variations by Various Artists. Schubert / Orch. Mahler: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": II. Andante con moto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Schubert / Orch. Mahler: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": II. Andante con moto by Franz Schreker, Camerata Academica Salzburg/Franz Welser-Möst, Franz Welser-Möst, Camerata Salzburg is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les heures persanes, Op. 65: No. 1. Sieste, avant le depart: Lent | Charles Koechlin, Ralph van Raat | B Major | 0 | 1B | 66 BPM | ||
Der ferne Klang: Act II: Prelude - Wenn der Abend kommt (Chor) | Franz Schreker, Gabrielle Schnaut, Thomas Moser, Victor van Halem, Barbara Scherler, Johannes Werner Prein, Julia Juon, Hans Helm, Siegmund Nimsgern, Barbara Hahn, Gudrun Sieber, Gertrud Ottenthal, Marcia Bellamy, Peter Haage, Rolf Appel, Roland Hermann, Robert Worle, Gidon Saks, Claudio Otelli, RIAS Kammerchor, Rundfunkchor Berlin, Berlin Radio Symphony Orchestra, Gerd Albrecht | A Minor | 1 | 8A | 77 BPM | ||
Copland: Symphony No. 3: I. Molto moderato, with simple expression | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | A Major | 1 | 11B | 82 BPM | ||
Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 76 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
String Quartet No.1, Sz.40: I. Lento | Béla Bartók, Belcea Quartet | A♭ Major | 0 | 4B | 86 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
Der Schmied von Gent: Act I: Mann, Smee - bist Du's (Frau) | Franz Schreker, Oliver Zwarg, Undine Dreissig, Andre Riemer, Edward Randall, Tobias Mathger, Judith Kuhn, Victor Sawaley, Chemnitz State Opera Chorus, Robert Schumann Philharmonie, Frank Beermann | E Minor | 1 | 9A | 108 BPM | ||
String Quartet in F Major: I. Allegro moderato, tres doux | Maurice Ravel, Cavani Quartet | F Major | 1 | 7B | 130 BPM | ||
Ludus pro Patria, La Nuit et l'Amour: La Nuit et l'Amour: Interlude de l'ode symphonique - Ludus pro Patria | Augusta Holmès, Staatsphilharmonie Rheinland-Pfalz, Patrick Davin | B♭ Major | 0 | 6B | 78 BPM |
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