Franz Schreker, Oliver Zwarg, Undine Dreissig, Andre Riemer, Edward Randall, Tobias Mathger, Judith Kuhn, Victor Sawaley, Chemnitz State Opera Chorus, Robert Schumann Philharmonie, Frank Beermann's 'Der Schmied von Gent: Act I: Mann, Smee - bist Du's (Frau)' came out on April 3, 2012. With Der Schmied von Gent: Act I: Mann, Smee - bist Du's (Frau) being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 34 in the song's album "Schreker: Der Schmied von Gent". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. In terms of popularity, Der Schmied von Gent: Act I: Mann, Smee - bist Du's (Frau) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Der Schmied von Gent: Act I: Mann, Smee - bist Du's (Frau) by Franz Schreker, Oliver Zwarg, Undine Dreissig, Andre Riemer, Edward Randall, Tobias Mathger, Judith Kuhn, Victor Sawaley, Chemnitz State Opera Chorus, Robert Schumann Philharmonie, Frank Beermann having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schoenberg: Gurre-Lieder, Pt. 1: Introduktion (Mässig bewegt) | Arnold Schoenberg, Sir Simon Rattle, Berliner Philharmoniker, Karita Mattila, Thomas Moser, Anne Sofie von Otter, Thomas Quasthoff | A♭ Major | 0 | 4B | 90 BPM | ||
Die Gezeichneten / Act 1: Meinen Gruss, Signori! | Franz Schreker, László Polgár, Heinz Kruse, Reinhart Ginzel, Jorg Gottschick, Friedrich Molsberger, Deutsches Symphonie-Orchester Berlin, Lothar Zagrosek | D♭ Minor | 1 | 12A | 90 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Irrelohe: Act II - O Herr, der Brief | Franz Schreker, Peter Gülke | D♭ Major | 2 | 3B | 81 BPM | ||
Symphony in E Minor, Op. 32, "Gaelic Symphony": II. Alla siciliana - Allegro vivace - Andante | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | F Major | 0 | 7B | 122 BPM | ||
La mer, L. 109: III. Dialogue of the Wind and the Sea | Claude Debussy, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 2 | 3B | 78 BPM | ||
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | ||
Lullaby on an Ancient Irish Tune | Rebecca Clarke, Philip Dukes, Sophia Rahman | D♭ Major | 0 | 3B | 68 BPM | ||
Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 1 | 5B | 103 BPM |
Section: 0.7123806476593018
End: 0.7178833484649658