"Serenade for Strings, Op. 20: I. Allegro piacevole" by Edward Elgar, Tamsin Waley-Cohen, David Curtis, Orchestra of the Swan was released on September 29, 2014. The duration of Serenade for Strings, Op. 20: I. Allegro piacevole is about 3 minutes long, at 3:16. Based on our data, "Serenade for Strings, Op. 20: I. Allegro piacevole" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vaughan Williams: The Lark Ascending, Violin Concerto in D Minor - Elgar: Introduction & Allegro, Serenade for Strings by Tamsin Waley-Cohen, David Curtis, Orchestra of the Swan. The song's track number on the album is #5 out of 8 tracks. Serenade for Strings, Op. 20: I. Allegro piacevole is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Serenade for Strings, Op. 20: I. Allegro piacevole by Edward Elgar, Tamsin Waley-Cohen, David Curtis, Orchestra of the Swan has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Serenade for Strings, Op. 20: I. Allegro piacevole being at 87 BPM, the half-time would be 44 BPM with a double-time of 174 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
Sarabande (with Piano) [Bonus Track] | Angèle Dubeau, La Pietà | F Major | 0 | 7B | 74 BPM | ||
Tango Jalousie | Jacob Gade, Yo-Yo Ma, Kathryn Stott | D Major | 1 | 10B | 78 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Damunt de tu Només les flors | Federico Mompou, Arcadi Volodos | F Minor | 0 | 4A | 73 BPM | ||
Bach. Cello Suite #1 in G, BWV 1007 - I. Prelude | Iris Azquinezer | G Major | 1 | 9B | 140 BPM | ||
Années de Pélegrinage, Prémiere Année: Suisse, S. 160: II. Au lac de Wallenstadt (At Lake Wallenstadt) | Franz Liszt, Oliver Schnyder | A♭ Major | 0 | 4B | 67 BPM | ||
Canon And Gigue In D Major, P 37: 1. Canon | Johann Pachelbel, The English Concert, Trevor Pinnock | D♭ Major | 1 | 3B | 100 BPM | ||
Menuet en Sol Mineur, Transcription de Wilhem Kempff d’après Le Menuet de la Suite en Si Bémol Majeur No. 1, HWV 434, 1er Cahier | George Frideric Handel, Anne Queffélec | G Minor | 0 | 6A | 69 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM |
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