"Années de Pélegrinage, Prémiere Année: Suisse, S. 160: II. Au lac de Wallenstadt (At Lake Wallenstadt)" by Franz Liszt, Oliver Schnyder had its release date on November 11, 2011. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Années de Pélegrinage, Prémiere Année: Suisse, S. 160: II. Au lac de Wallenstadt (At Lake Wallenstadt)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Franz Liszt, Oliver Schnyder's "Liszt: Piano Works" album is number 2 out of 12. On top of that, Switzerland appears to be the country where this track was created. Années de Pélegrinage, Prémiere Année: Suisse, S. 160: II. Au lac de Wallenstadt (At Lake Wallenstadt) is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Années de Pélegrinage, Prémiere Année: Suisse, S. 160: II. Au lac de Wallenstadt (At Lake Wallenstadt) by Franz Liszt, Oliver Schnyder to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canción | Manuel de Falla, Javier Perianes | C Minor | 0 | 5A | 76 BPM | ||
Cello Sonata No. 1 in D Minor, Op. 109: II. Andante | Gabriel Fauré, Ina-Esther Joost Ben-Sasson, Allan Sternfield | E♭ Major | 1 | 5B | 120 BPM | ||
I Think of You | Alma Deutscher | F♯ Major | 0 | 2B | 72 BPM | ||
Gnossiennes: No. 4 | Erik Satie, Jean-Yves Thibaudet | A Minor | 0 | 8A | 63 BPM | ||
Berceuse in D Flat Major, Op. 57 | Frédéric Chopin, Nelson Freire | B♭ Major | 1 | 6B | 85 BPM | ||
Albumblatt In E Minor, Op.117, MWV U134 | Felix Mendelssohn, Daniel Barenboim | E Minor | 1 | 9A | 68 BPM | ||
Pelleas and Melisande Suite, Op. 46, JS 147: VIII. The Death of Melisande | Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam | D Minor | 0 | 7A | 52 BPM | ||
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
Ballade No. 4 in F Minor, Op. 52 | Frédéric Chopin, Khatia Buniatishvili | D♭ Major | 1 | 3B | 51 BPM | ||
Piano Sonata No. 13 in A Major, D. 664: II. Andante | Franz Schubert, Lucas Debargue | D Major | 0 | 10B | 97 BPM |