"Pelleas and Melisande Suite, Op. 46, JS 147: VIII. The Death of Melisande" by Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam was released on August 7, 2015. Since Pelleas and Melisande Suite, Op. 46, JS 147: VIII. The Death of Melisande is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "Sibelius: Pelleas and Melisande Suite, Musik zu einer Szene & 3 Pièces pour orchestre". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Hong Kong. Pelleas and Melisande Suite, Op. 46, JS 147: VIII. The Death of Melisande is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pelleas and Melisande Suite, Op. 46, JS 147: VIII. The Death of Melisande by Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam having a BPM of 52 with a half-time of 26 BPM and a double-time of 104 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
En rêve, nocturne, S. 207 | Franz Liszt, Paul Lewis | B Major | 0 | 1B | 136 BPM | ||
Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 1 | 7B | 82 BPM | ||
Tristan und Isolde - Concert Version: Liebestod | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 94 BPM | ||
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
Rodeo: II. Corral Nocturne | Aaron Copland, Detroit Symphony Orchestra, Leonard Slatkin | C Major | 0 | 8B | 71 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 77 BPM | ||
Trombone Concertino in E-Flat Major, Op. 4: III.Allegro maestoso | Ferdinand David, Christian Lindberg, Bamberg Symphony, Leif Segerstam | E♭ Major | 2 | 5B | 102 BPM | ||
3 Intermezzos, Op. 117: No. 1 in E-Flat Major | Johannes Brahms, David Deveau | E♭ Major | 0 | 5B | 76 BPM | ||
Children's Corner (arr. A. Caplet for orchestra): The Little Shepherd | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D Major | 0 | 10B | 78 BPM |
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