Iris Azquinezer's 'Bach. Cello Suite #1 in G, BWV 1007 - I. Prelude' came out on March 11, 2014. The duration of Bach. Cello Suite #1 in G, BWV 1007 - I. Prelude is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Bach. Cello Suite #1 in G, BWV 1007 - I. Prelude's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 18 in Azul y Jade by Iris Azquinezer. Based on our statistics, Bach. Cello Suite #1 in G, BWV 1007 - I. Prelude's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach. Cello Suite #1 in G, BWV 1007 - I. Prelude by Iris Azquinezer is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carnival of the Animals, R. 125: XIII. The Swan | Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 79 BPM | ||
10 Preludes, Op. 23: No. 5 in G Minor: Alla marcia | Sergei Rachmaninoff, Peter Katin | G Minor | 3 | 6A | 106 BPM | ||
The 4 Seasons: Violin Concerto in F minor, Op. 8, No. 4, RV 297, "L'inverno" (Winter): II. Largo | Karoly Botvay | B♭ Major | 0 | 6B | 68 BPM | ||
3 Gymnopedies: No. 1. Lent et douloureux | Erik Satie, Alessandro Deljavan | E Minor | 0 | 9A | 69 BPM | ||
Violin Concerto in D Major, Op. 35, TH. 59: II. Canzonetta. Andante | Pyotr Ilyich Tchaikovsky, Nicola Benedetti, Czech Philharmonic Orchestra, Jakub Hrůša | G Major | 2 | 9B | 101 BPM | ||
Sicilienne | Gabriel Fauré, G.R.P feat. Gabriel Faure | F♯ Minor | 1 | 11A | 93 BPM | ||
The 4 Seasons: Violin Concerto in E major, Op. 8, No. 1, RV 269, "La primavera" (Spring): II. Largo e pianissimo sempre | Karoly Botvay | D♭ Minor | 0 | 12A | 88 BPM | ||
Le Carnaval des Animaux, R. 125: Akvarium | Camille Saint-Saëns, Pittsburgh Symphony Orchestra, André Previn | A Minor | 0 | 8A | 82 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Canon in D for Strings and Continuo | Johann Pachelbel, Baroque Chamber Orchestra, Ettore Stratta | D Major | 2 | 10B | 81 BPM |
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