"Concerto No. 3 in A Major, Op. 9: III. Largo" by Charles Avison, Gerald Gifford was released on 1998. With Concerto No. 3 in A Major, Op. 9: III. Largo being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gerald Gifford's "His Lordship's Delight - Georgian Music for Harpsichord and Organ" album is number 18 out of 22. Concerto No. 3 in A Major, Op. 9: III. Largo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto No. 3 in A Major, Op. 9: III. Largo by Charles Avison, Gerald Gifford to be Larghetto (rather broadly) because the track has a tempo of 63 BPM, a half-time of 32BPM, and a double-time of 126 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Handel: Trio Sonata in B Minor, Op. 2/1, HWV 386b: III. Largo | George Frideric Handel, Emmanuelle Haïm, Le Concert d'Astrée | D♭ Major | 0 | 3B | 95 BPM | ||
Concerto Grosso No. 3 in D Minor (after D. Scarlatti): IV. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 87 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: VI. Adagio | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 0 | 1A | 84 BPM | ||
Aria | Nicola Matteis, Gli Incogniti, Amandine Beyer | D♭ Minor | 1 | 12A | 86 BPM | ||
12 Concerti et sinphonie, Op. 1: Symphony No. 5 in F Major: II. Adagio | Giuseppe Antonio Brescianello, Cetra Baroque Orchestra Basel, La, David Plantier, Vaclav Luks | E Major | 1 | 12B | 96 BPM | ||
Concerto in D Major, Op. 6 No. 1: III. Largo | Arcangelo Corelli, Musica Amphion, Pieter-Jan Belder | D♭ Major | 1 | 3B | 118 BPM | ||
Concerto grosso in B-Flat Major, Op. 6 No. 7, HWV 325: I. Largo | George Frideric Handel, Camerata Nordica, Daniel Hansson | F Major | 0 | 7B | 171 BPM | ||
Concerto in G major Seibel 217: 3. Grave | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | B♭ Minor | 0 | 3A | 126 BPM | ||
Concerto Grosso No. 1 in D Minor, "Bona nova": I. Sonata. Grave | Georg Muffat, Holland Baroque Society, Matthew Halls | B Major | 3 | 1B | 103 BPM | ||
Concerto for Flute and Oboe in B Minor, FaWV L:h1: I. Allegro | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | B♭ Minor | 2 | 3A | 93 BPM |
Section: 0.5929825305938721
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