"Il Sansone (Oratorio in due canti), Canto Primo: Qual tuo labbro, che pace promette (Sansone/Dalila)" by Benedetto Ferrari, Il Complesso Barocco/Alan Curtis was released on 2000. With Il Sansone (Oratorio in due canti), Canto Primo: Qual tuo labbro, che pace promette (Sansone/Dalila) being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 34 in Ferrari - Il Sansome/Solo Songs by Benedetto Ferrari, Il Complesso Barocco/Alan Curtis. Il Sansone (Oratorio in due canti), Canto Primo: Qual tuo labbro, che pace promette (Sansone/Dalila) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Il Sansone (Oratorio in due canti), Canto Primo: Qual tuo labbro, che pace promette (Sansone/Dalila) by Benedetto Ferrari, Il Complesso Barocco/Alan Curtis is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ayres for the Violin, Book I (Arr. for Violoncello Piccolo): Giga | Nicola Matteis, Ophélie Gaillard, Pulcinella Orchestra | A Major | 4 | 11B | 123 BPM | ||
Misa Tango: I. Kyrie | MartÍn Palmeri, Astoria, Philippe Gérard | G Minor | 0 | 6A | 112 BPM | ||
III. Grave | Carlo Arrigoni, Artemandoline | D♭ Major | 1 | 3B | 79 BPM | ||
O crux benedicta | Mignarda | A♭ Minor | 0 | 1A | 90 BPM | ||
Rebap Taksim - Mahur Peşrev | İzmir Barok | D♭ Minor | 4 | 12A | 121 BPM | ||
Exaudiat te Dominus, LWV 77 No. 15: VIII. Gloria Patri et Filio | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Františkovi Makovičkovi do usínání | Pavel Jurkovič, Hana Blažíková, Tomáš Král, Kateřina Ghannudi, Hana Fleková | G Major | 1 | 9B | 79 BPM | ||
Christ lag in Todesbanden: I. Sonata | Johann Kuhnau, Paul Agnew, Les Arts Florissants | E Major | 4 | 12B | 101 BPM | ||
Canarios. Tablature Di Chitarrone Livre 4 | Giovanni Girolamo Kapsberger, Dolce Rima, Xurxo Lois Varela Díaz, Paula Brieba del Rincón | G Major | 0 | 9B | 111 BPM | ||
Sonata for Violoncello and Continuo in A Minor, RV 43: III. Largo | Antonio Vivaldi, Josetxu Obregon, La Ritirata | D Major | 1 | 10B | 115 BPM |
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