Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles made "Exaudiat te Dominus, LWV 77 No. 15: VIII. Gloria Patri et Filio" available on March 8, 2024. The duration of Exaudiat te Dominus, LWV 77 No. 15: VIII. Gloria Patri et Filio is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Exaudiat te Dominus, LWV 77 No. 15: VIII. Gloria Patri et Filio's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles's "Lully: Te Deum" album is number 25 out of 25. In terms of popularity, Exaudiat te Dominus, LWV 77 No. 15: VIII. Gloria Patri et Filio is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Exaudiat te Dominus, LWV 77 No. 15: VIII. Gloria Patri et Filio by Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Télémaque & Calypso, Prologue Scene 1: Descendez, régnez sur la terre (Les vertus, les muses et les arts) | Andre Cardinal Destouches, Les Ombres, Sylvain Sartre, Margaux Blanchard, Les Chantres du Centre de Musique Baroque de Versailles | F Minor | 3 | 4A | 85 BPM | ||
Les plaisirs: Gavotte pour les Suisses | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | A Major | 0 | 11B | 121 BPM | ||
Te deum, LWV 55: Patrem immensae majestatis | Jean-Baptiste Lully, Chœur De Chambre De Namur, Millenium Orchestra, Cappella Mediterranea, Leonardo García-Alarcón, Sophie Junker, Judith van Wanroij, Matthias Vidal, Cyril Auvity, Alain Buet | D♭ Minor | 0 | 12A | 106 BPM | ||
Caccini: Lasciatemi qui solo | Francesca Caccini, Christina Pluhar, L'Arpeggiata, Benedetta Mazzucato | F Major | 1 | 7B | 70 BPM | ||
Stabat Mater, P. 77: V. Quis est homo | Giovanni Battista Pergolesi, Shira Patchornik, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Er heißet Wunderbar, Rat, Kraft, Held, FR 408/1: I. Dictum (Tutti) | Johann Friedrich Fasch, Benjamin Schmolck, Berit Norbakken Solset, Marianne Beate Kielland, Anders J. Dahlin, Halvor Festervoll Melien, Alfredo Bernardini, Barokkanerne | F♯ Minor | 1 | 11A | 126 BPM | ||
Credo in F Major: V. Et vitam | Antonio Lotti, Thomas Hengelbrock | E Major | 2 | 12B | 183 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Le bourgeois gentilhomme, LWV 43: Ouverture | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F Minor | 4 | 4A | 114 BPM | ||
Stabat Mater, P. 77: I. Stabat mater dolorosa | Giovanni Battista Pergolesi, Shira Patchornik, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM |
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