Giovanni Girolamo Kapsberger, Dolce Rima, Xurxo Lois Varela Díaz, Paula Brieba del Rincón's 'Canarios. Tablature Di Chitarrone Livre 4' came out on 2013. The duration of Canarios. Tablature Di Chitarrone Livre 4 is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Canarios. Tablature Di Chitarrone Livre 4's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Saffo Novella. Dúos i àries de soprano i baix continu de Barbara Strozzi (1619-1677)". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Spain. In terms of popularity, Canarios. Tablature Di Chitarrone Livre 4 is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Canarios. Tablature Di Chitarrone Livre 4 by Giovanni Girolamo Kapsberger, Dolce Rima, Xurxo Lois Varela Díaz, Paula Brieba del Rincón having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
II. Aria Moderato | James Oswald, Artemandoline | F♯ Major | 1 | 2B | 67 BPM | ||
Dio: Re. mi. fa. sol. la | Diomedes Cato, Joachim Held | F♯ Minor | 1 | 11A | 87 BPM | ||
La Suave Melodia | Andrea Falconieri, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Preludio Terzo | Giovanni Girolamo Kapsberger, Carlos Oramas | F♯ Major | 0 | 2B | 93 BPM | ||
Corrente dicha la Cuella | Andrea Falconieri, La Ritirata, Josetxu Obregon | A Minor | 2 | 8A | 105 BPM | ||
Balleto | Vincenzo Capirola, Eduardo Paniagua, Música Antigua | C Major | 2 | 8B | 189 BPM | ||
Suite in E Minor, BWV 996: VI. Giga | Johann Sebastian Bach, Evangelina Mascardi | F Minor | 2 | 4A | 124 BPM | ||
Lute Sonata No. 11 in D Minor: IV. Bourree | Silvius Leopold Weiss, Robert Barto | A♭ Minor | 1 | 1A | 153 BPM | ||
Passacalle | Andrea Falconieri, Capella De La Torre, Katharina Bauml | D Minor | 1 | 7A | 108 BPM | ||
Dominus illuminatio mea: Sinfonia | Franz Tunder, Peter Barany, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | A Minor | 0 | 8A | 79 BPM |
Section: 0.6243488788604736
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